Rebecca Kivak’s review published on Letterboxd:
Quentin Tarantino pours his love of cinema into his ninth film, “Once Upon a Time … in Hollywood.” The director’s ode to the last days of Hollywood’s Golden Age faithfully recreates a bygone era and features dynamic performances from an A-list cast.
Although the film dazzles with its attention to period detail and roster of stars, its parts do not add up to a solid whole. Plodding and meandering, “Once Upon a Time … in Hollywood” is one of Tarantino’s weaker efforts, failing to justify its nearly three-hour runtime.
Set in 1969, the film blends fictional characters and real-life events, following three main leads over an interlocking story. Has-been TV actor Rick Dalton (Leonardo DiCaprio), who once hit it big in 1950s Westerns, and his loyal stunt double Cliff Booth (Brad Pitt) are trying to break into the film industry. While Rick’s star is fading, that of his Hollywood Hills neighbor, real-life actress Sharon Tate (Margot Robbie), is on the rise.
When Rick lands a job on another TV Western, Cliff takes care of odd jobs around Rick’s mansion. But circling the two friends are a commune of hippies led by cult leader Charles Manson. The fates of Rick, Cliff and Sharon are destined to collide as their search for fame and fortune takes an unexpected path.
With its impeccable production design, Tarantino’s latest film transports moviegoers back to the swinging ’60s. The restored Hollywood facades, shaggy hairstyles and Sharon’s white go-go boots recreate a decade lost in time. The distinctive period soundtrack is punctuated with lesser-known tunes from the era, echoing its main characters’ search for stardom. Paul Revere and the Raiders’ songs “Good Thing” and “Hungry” play from a record player, and the strains of Los Bravos’ breezy “Bring a Little Lovin’” are blasted over a car radio.
The excellent DiCaprio leads the cast as the hard-drinking TV cowboy looking to reignite his career. As the desperate Dalton, DiCaprio walks a fine line between intense and over-the-top. After messing up a line on set, DiCaprio delivers a riveting monologue that shows the lengths of Rick’s passion. In these scenes, Tarantino pays loving homage to the spaghetti western, lifting the curtain behind the filmmaking.
DiCaprio and Pitt have great chemistry as their characters’ friendship forms the heart of the film. As Cliff, the charismatic Pitt is easygoing and funny, landing a lot of the film’s laughs. The talented actor capably tackles a major plotline in the second act.
Audiences know Sharon Tate as the tragic victim of the Manson family murders. Though she doesn’t have many lines, Robbie imbues the character with warmth. She portrays Sharon as a real person and more than a victim. While treating Sharon’s memory with respect, Tarantino uses that knowledge to play with audience expectations as the film draws to its dramatic third act.
However, getting to the final act proves to be a real chore. At two hours and 41 minutes long, “Once Upon a Time … in Hollywood” often feels boring. The film is slow-moving and loosely structured, especially in its first two acts. The story meanders a lot, making viewers wonder where the movie is going.
The film lacks the snappy dialogue of other Tarantino films, such as “The Hateful Eight,” and the flashy thrills of a roller coaster ride like “Kill Bill: Vol. 1.” The director overdoes shots of the backs of characters’ heads in cars. There’s also closeups of feet – whether they’re walking, perched on theater seats or on car dashboards. Quentin, we get that you like feet!
Tarantino’s trademark violence emerges later in the story, along with some surprises. In the final act, the movie takes a hard right from realism into absurdity. But the ultimate destination may not be worth the journey, leaving moviegoers wanting more of a payoff.
Ambitious and a bit overindulgent, “Once Upon a Time … in Hollywood” fades to black as an underwhelming effort in Tarantino’s later output of films.
Check out my writing partner Joe Baress' take on Take 2 Blog: accessnepa.com/take2/onceuponatimeinhollywood/