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  • Batman Returns

    Batman Returns

    ★★★★★

    "Must you be the only lonely man-beast in town?"

    A film about being unable to overcome trauma. Dares to drift from its source material and divide its audience to tell a compelling story. Batman doesn't get an arc, but is rather a doomed voyeuristic dictator. Keaton is effortless, playing Batman not as persona. Michelle Pfeiffer is on another plane. Burton's sincerity in everything is palpable. One of the most visually rich and tactile films I've ever seen. Seamless visual effects.…

  • The Grey

    The Grey

    ★★★★★

    "Transience"

    An Analysis

    Why would a man, whose has had his entire existence stripped down until there is almost nothing left (a man seriously contemplating suicide) end up fighting for his very survival?

    INTRODUCTION

    From the first shot, director Joe Carnahan signals the immensity of nature. The camera pans across trees and mountains using a low shot. Clouds slowly drift across. Wolves howl. No humans. No evidence of civilization. Then, the camera cuts to an oil refinery. Pipes and smokestacks…

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  • Magnolia

    Magnolia

    ★★★★★

    "Flower Power"

    A Big Titted Analysis

    Everyone loved Paul Thomas Anderson’s melodramatic opera, “Magnolia”, back in 1999, except Kevin Smith (but fuck that guy because he hasn’t made a good film since “Dogma” as far as I know - I haven’t seen “Red State”, so maybe I shouldn’t say that but still fuck him because he has a different opinion than mine). Everyone who does enjoy 'Magnolia' has sited the acting, the music, and the Altmanesquenessness in it. Some of…

  • Ri¢hie Ri¢h

    Ri¢hie Ri¢h

    ★★★★½

    Nostalgia is a reasonable factor when rating films fuck you