He uses an intelligent black and white, the work of Lyle Vincent, to leave us as one who does not want the thing, a vision of his country that the inhabitants of the western world find it difficult to understand. To achieve this, he does not hesitate to use all the possibilities that cinema offers, highlighting a perfect production design.
A fantastic film by Ana Lily Amirpour.

Kids is a decent film, but if it had made better use of themes such as AIDS or better resolved conflicts like those faced by the characters, it could have been much more incisive and mature. Perhaps Larry Clark was left half this time, but it's not bad for a debut.

‘El lugar sin límites’ es una pieza contemporánea para el cine mexicano, una etapa de crecimiento creativo y grande, el papel más emblemático de Cobo, que está excéntrico.
La Manuela es un personaje que luce y reluce en la película, lleno de temores pero grande a su modo en un ambiente tan violento, lleno de erotismo que no termina de satisfacer, esta obra esconde un miedo al homosexualismo en el macho mexicano.
Una pieza desgarrante hasta su punto, triste y cruda.

Argumentally, ‘The Prisoner of Azkaban’ opts for the literary tradition of gothic terror, presents a dangerous and disturbing setting, increased by the presence of peculiar visitors. It is the deepest of the saga, where many emotions and various feelings are captured. From the beginning of the end of the film, the surprises come hand in hand, there is no respite, it is a more somber style and it is a more adult film.