one of the best looking movies ever made? someone on here said that furie once said something along the lines of “block now, frame later”, and it shows, in the best way possible. every frame is unusual and striking. information just out of sight, manipulated by the lens. the shadows are so consuming that sometimes all thats visible is a face or the headlights of a car. it’s almost hard to discuss this without sounding trite, but it feels like…