Coco ★★★

Pixar movies still make money hand over fist, but it’s hardly a secret that Luxo the lamp isn’t shining quite as bright as it used to. Once upon a time, the company’s animated offerings were genuine cultural events, the best of them (“Ratatouille,” “Finding Nemo”) even meriting comparison to the masterpieces of Studio Ghibli. While their films reliably still clear the low bar set by some of their competition — there’s a world of difference between the noble failure of “The Good Dinosaur” and the artless cynicism of “The Boss Baby” — three entire “Cars” movies have taken their toll.

Now, with sequels becoming more of a rule than an exception, Pixar finds themselves at something of an inflection point in their young history: Are they going to recommit to the bold originality that made them such a powerhouse, or are they going to continue recycling old stories in order to maintain a steady diet of new product?

The answer, it seems, is both.