• Midnight Mass

    Midnight Mass


    this is why i'm jewish.

  • There's Someone Inside Your House

    There's Someone Inside Your House


    A socially conscious “Scream” riff about a killer who takes cancel culture into their own hands (with the help of a taser gun and a very large knife), Patrick Brice’s “There’s Someone Inside Your House” strives to modernize slasher movies for the social media age by suggesting kids today are more afraid of being found out than of being filleted alive. Sure, the stab-happy serial murderer stalking this film’s extremely diverse cast of rural American high schoolers is willing to…

  • The Tragedy of Macbeth

    The Tragedy of Macbeth


    The Scottish Play has been adapted into more than 25 different movies since J. Stuart Blackton first gave it a whirl in 1908, and yet Joel Coen’s “The Tragedy of Macbeth” is such a strange hybrid between cinema and theater that it seems to exist in a realm all its own. Shot in atemporal black-and-white on a Los Angeles soundstage made to resemble the half-empty guts of a leaky snow-globe, this dark lucid dream of a film might be the…

  • Bad Luck Banging or Loony Porn

    Bad Luck Banging or Loony Porn


    it took more than 100 years, but someone finally figured out the perfect way to end a movie.

  • Birds of Paradise

    Birds of Paradise


    It would be easy — and not especially inaccurate — to dismiss Sarah Adina Smith’s “Birds of Paradise” as a YA riff on “Black Swan,” but this giallo-inflected ballet thriller proves too intoxicating and possessed by its own spirits to be relegated to the shadows of its influences. Besides, the movie owes just as much to Luca Guadagnino’s recent “Suspiria” remake; if not for its supernatural menace than at least for its witchy mood, which helps texture a conventional story…

  • Fever Dream

    Fever Dream


    A frightened young mother named Amanda (Maria Valverde) is being dragged on her back through a dark marsh. Worms — worms that are everywhere inside the body. “You have to understand what’s important,” the pre-teen David (Emilio Vodanovich) invisibly whispers into her ear canal. “Where’s my daughter?” Amanda asks. That’s not important. Beautiful Carola (Dolores Fonzi) leaning her head out of a car window, her curled blonde hair catching in the wind. A slow river seeps by into everything it…

  • The Many Saints of Newark

    The Many Saints of Newark


    More. It would be impossible to sum up “The Sopranos” in a single word, but some of them sink to the bottom of David Chase’s storied television epic like a dead FBI informant dumped into the Atlantic. Respect. Family. Gabagool. More. More. More. More. The insatiable desire for more — more money, more power, more whatever the fuck you can take from this world — never crystallized into a slogan the way it would in executive producer Matthew Weiner’s “Mad…

  • One Second

    One Second


    More than two years after the world premiere of Zhang Yimou’s “One Second” was canceled mere days before its scheduled gala screening at the Berlinale on account of a “technical problem” — the insultingly transparent wording of a censorship bureau grown smug about its power — the renowned Chinese filmmaker’s most intimate movie since the days of “Hero” and “House of Flying Daggers” is finally here. Or at least some version of it is, as specifics about whatever snips and…

  • True Things

    True Things


    Another strong addition to the growing sub-genre of stories about people so desperate for a little danger in their lives that they decide to get romantically and/or creatively involved with Tom Burke despite the fact that he’s a walking red flag six feet tall who would sooner self-destruct than return anyone’s emotional investment (previous entries include “The Souvenir,” “The Crown,” and “Mank”), Harry Wootliff’s “True Things” is a movie that starts with a woman surrendering to fantasy, and then slowly…

  • The Voyeurs

    The Voyeurs


    only a movie this horny could get away with being this stupid. but it is and it does and we love an all too rare modern erotic thriller for that.

  • The Good House

    The Good House


    “I never drank alone before rehab,” cracks Hildy Good (Sigourney Weaver), a divorced, 60-year-old real estate agent whose façade of grace and stability is crumbling even faster than that of the quaint Massachusetts harbor town where her family has lived since the days of the Salem witch trials; what’s happening to Wendover isn’t what you’d call “gentrification,” but the influx of chain businesses and white-collar types buying up all the colonial houses has made the place a shell of what…

  • Cry Macho

    Cry Macho


    In a world so impatient that people have started to whine about the injustice of movies playing in theaters for a few weeks before they (finally!) become available to watch at home, Clint Eastwood has spent the last 33 years waiting for the right time to make a sleepy, featherlight neo-Western about a widowed old rodeo star with nothing to live for, and the rooster named Macho who shows him the strength he needs to find new purpose.

    The Hollywood…