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  • Donnie Darko

    Donnie Darko

    ★★★★

    “How is it feel to have a wacko for a son?”
    “It feels wonderful”

    David Lynch for the MTV generation. As empathetic as it’s melancholic. An entire aesthetic build around teenage angst, music videos and broken passages of time intertwined by the performances and the philosophy of a teenager (both its creator and protagonist) trying to comprehend the zeitgeist in which he’s living.

    Maybe Donnie didn’t die, maybe what die was the image that everyone (and himself) had of him.

  • Loro

    Loro

    SEX DRUGS SEX DRUGS SEX DRUGS SEX DRUGS
    NEEDLE DROP MORE SEX NEEDLE DROP MORE DRUGS

    The second half is just Adam McKay, but he finally found a tripod.

    What films like this show is the difference between the characters simplifying the information because of their nature to retaliate and protect their own image and the film itself doing it because it's incapable to engage with what it's portraying on screen, that includes the male gaze and "critiques" of it.

Popular reviews

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  • I'm Thinking of Ending Things

    I'm Thinking of Ending Things

    ★½

    Some loose ideas (as the film itself has):

    -Kaufman did it again..... and again and again.

    -I don’t know if it was because I’m not in its wavelength, but I have never seen a film so tailor made for people like David Ehrlich or the entirety of Film Twitter.

    -So cold, so awkward, so fucking misguided and full of itself. Like if Lynch was stripped of his humanity, or watching an even more arrogant and less playful Godard. Or that…

  • Devilman Crybaby

    Devilman Crybaby

    ½

    Thanks, I hate it.


    Why are you booing me? I’m right.