A bunch of tech bros tell us about the dystopia that they’ve created without offering any solutions or really engaging with the human impact. Meanwhile Pete Campbell from Mad Men performs a Crime Watch reenactment.
A coming of age film about 27 year olds is something I never felt I was missing, but boooy. Also, enjoyed the little hidden aspect ratio (and filmstock?) switch with the blinky lightbulb. Almost as if it ~symbolised~ something.
This film features 5 of the worst accents committed to film. The twist is who the fifth one is. Also features the wonderful Ricky Jay who someone should make a Letterboxd list about. Came for the Bowie, stayed for the Jay.