Favorite films

  • Four Roads
  • BPM (Beats per Minute)
  • Neon Genesis Evangelion: The End of Evangelion
  • Sonatine

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  • A Clockwork Orange

    ★★★★★

  • Little Women

  • The Invisible Man

  • Tear Along the Dotted Line

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  • Godzilla

    Godzilla

    This review may contain spoilers. I can handle the truth.

    the criterion challenge | 2021

    32 — watch any film featured in the godzilla boxset

    mass hysteria is something that hits a little bit too close to home right now. my mom, despite having caught covid-19 herself, still doesn't trust vaccines and doesn't believe in how bad the virus can get. all around me i see desperate people who do care and "believe" (as if it's a matter of faith) in it, but who are also succumbing to this economic…

  • They Call Me Jeeg

    They Call Me Jeeg

    This review may contain spoilers. I can handle the truth.

    tw: sexual assault, transphobia

    i'm really mad at this because i wanted to love it and i did, for some of its run time: amazing directing and cinematography, a jarring depiction of low life in Rome (and, to an extent, in Italy as a whole) and great campy moments (@ luca marinelli singing anna oxa)

    but i just can't anymore with directors and/or writers asking me to sympathize with rapists and abusers. i can't anymore with villains being ""subtly"" queer-coded…

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  • The Crypt Monster

    The Crypt Monster

    lillo ti passa il bufo che fai

  • Il monastero

    Il monastero

    it honestly makes me cackle how shitty italian horror movies seem to always have a random (obviously male gaze-y) wlw scene that goes nowhere and has no relevance to the plot other than suggesting that this is a sign of "strange" occurrences and "demonic" activity in the area because women can't kiss just because they want to. on the other hand, me and my partner had originally planned to watch fear street but actually found ourselves drawing diagrams in the air to understand what the fuck was going on in this film

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  • Dead Pigs

    Dead Pigs

    Soooo... let me try and unpack this. This is a stylistically impeccable film. Loved the neon and loved the cinematography overall. But listen... this is so long. And the script is so shaky. And that fucking karaoke scene.

    But let's talk about the ending, which broke the film for me. I can't understand if Yan is trying to comically represent the way in which the proletariat is succumbing to a compromise with a system that's crushing it (just like a…

  • SanPa: Sins of the Savior

    SanPa: Sins of the Savior

    marco crepaldi ha imparato come parlare a vittime di violenza sessuale da muccioli

    non conoscevo red ronnie prima di questa serie e stavo meglio