Synopsis
Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
1961 ‘Une Femme est une femme’ Directed by Jean-Luc Godard
Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.
Uma mulher é uma mulher, 女人就是女人, A nő, az nő, 여자는 여자다, Kobieta jest kobieta
I really love the poster for this movie. the circles, the reds, the text all spaced out like that, the white background. MUAH!
The movie? Also really nice to look at. I want to know what PTA has to say about it because stylistically it is clear as day that Punch-Drunk Love was directly influenced by this. The lens flares, the wide shots, the blue suit and red dress.
It took me a while to calibrate my brain for this movie. The rhythm of any of Godard’s films is the equivalent to the song “gecgecgec” by 100 gecs. This is the only place you’ll find a 100 gecs reference in a Godard review. But my point is once things do start to click and you embrace that rhythm, everything makes a little bit more sense. I’ll probably appreciate this more on a rewatch.
I just introduced Godard to my 16-year-old son and 7-year-old daughter at the same time. Greatest kids film ever.
Son: "She sure is stupid."
Daughter: "She's beautiful so it doesn't matter."
The Criterion Challenge 2021
Week #2: Directed by Jean-Luc Godard
Wow, this was just me sighing for 83 minutes over the aesthetic, the colors, and honestly I’d love to say Jean-Paul Belmondo, but my eyes were on Anna Karina the whole time. 😍❤️
A Woman is a Woman is a barrage full of whimsy, music, and bright bold colors, yet underneath all the playful fourth wall breaking and giddy production design, there is a feeling of loneliness in the way that Angela longs for a baby in order to salvage her relationship with Emile. I am in love with how Godard presents his mise-en-scène despite how others may think that it’s a distraction from the film’s central themes.…
Shockingly playful, given how famously grouchy Godard became later (did somebody dump him or something?). Anna Karina is the clear star but I also love how Jean-Paul Belmondo seems so different from his usual screen persona - not particularly cool, more of a dork. A trifle, maybe, unless you don't consider movies to be trifling.
“you don’t mind undressing for men?”
“no, I despise humanity.”
“so do I!”
things me and angela have in common:
• both virgos who over-analyze everything
• can never decide if she wants to wear her hair up or down - she goes from having it full down, to an updo, and then back to having it full down, to having it half-up half-down all in the same scene and oh my god ME!! also, bangs!
• winged eyeliner
• argues with significant other until she either wins or he angrily leaves the apartment and then she whispers that she loves him through the door
• sad about everything for no reason
• performs dramatic monologues from plays alone in her apartment
• “looks at camera like i’m on the office” meme
• wishes her life was a gene kelly musical
having a silent argument using book titles is something that can actually be so personal
also.. jean-paul belmondo in a turtleneck.. yeah
A sucker since girlhood for a musical, my beau knew exactly how to lure me into watching my fifth Godard feature in a month—advertise it as a “musical comedy”.
A Woman is a Woman feels like the deconstruction of the American musical, filtered through a European worldview and Godard’s own neuroses regarding his relationship to cinema and his turbulent romance with the film’s star, Anna Karina. There are musical elements, there are comedic elements, but the way in which the narrative feels Scotch-taped together and the tone playfully scrawled out in primary-hued finger paints, it unfolds more like parents having an argument veiled by terse smiles and stilted chuckles while a child earnestly tries to patch things up by premiering their newest…
For twenty or thirty minutes there, I thought this was going to be my favorite Godard. It’s certainly the first of his first three features (Le Petit Soldat shot before; released after) that announces what would become his very 60s trademark style. While Breathless is all about breaking from what had become the French tradition of cinema, Woman is a Woman is instead Godard embracing what he loves about cinema: its blending of artifice and reality. Begins as his most Tashlinesque film – at times could resembling a Looney Tunes cartoon in its surrealism (Karina walks through the magic door and fits into a perfectly suited outfit!). Much of Godard’s choices are more or less show-of-ish: removing sound at odd…
[88]
This is so many things -- a complete deconstruction of cinematic form; an unconventional ode to the Hollywood musical; sweeping furtherance of French New Wave; an earnest love letter to the art of filmmaking -- but perhaps most importantly, it's pure pleasure without a restrictive swathe or imposed boundary. Even more structurally feverish than BREATHLESS, yet the demeanor is every bit as buoyant and blithe (probably more so). It's got a "plot," but it's essentially just a canvas for Godard to paint upon; bright colors beaming back and forth, the camera slowly drifting between subjects carrying on in superfluous conversation as the rapturous score cuts in-and-out without warning (within the first minute, I thought my speakers were screwed up…
A Woman is a Woman. 1961. Directed by Jean-Luc Godard.
My Heart is obliterated. Poses which never result in any kind of blossoming musical movement, musical cues which never lead to musical movement, an aesthetic, emotional, communal, individualist limbo, fastened supremely between oppositional elements. Sure, there's much distanciation, but the overall effect is thoroughly poignant. Vérité, working the frame, blistering montage sequences, sincerity: another Godard masterwork. Anna Karina steals the whole show!
I think the direction is good, and all the intentional cuts for the music are interesting and made my experience through the movie a lot different. The main focus of the movie was not something I understood at all, I understand that this may be a good movie for its style, but unfortunately, this wasn't something I liked.
Nothing happened, literally, nothing happened. what a terrible film, boring as hell. The direction and cinematography were ok though.
This definitely wasn't my vibe at all. I was bored with the story and it just wasn't my style. I have to appreciate the cinematography and the direction that this movie tries to make, and it even reminds me of Jacques Demy, but I don't vibe with his style so this rating for this one wouldn't be a surprise. But yeah, thanks for the rec anyway.
Too playful to really say anything much, which is probably a good thing, since what Godard seems to want to say is kinda terrible.
what a beautiful movie. like visually stunning. some very odd things happened that I'm still not quite sure about, but god, it was pretty to look at.
what an incredible film! <3 so lively, sweet, raw, idealistic, funny, and relatable. I sometimes complain about being a woman myself, but this movie made me feel proud to be one. I love love stories and more if they're French and girly. <3 <3 <3 added to my faves for sure reminded me a bit of Charade for some reason
I thought the quirky sound design would annoy me too much and at times this felt like the longest film I’ve ever watched but it grew on me a ton and I kinda love it. I’m pretty sure if I had a partner as petty and annoying as these two I’d find it miserably frustrating instead of endearing but it turned out to be really sweet. I do hate it when people say “it’s a woman’s prerogative to...” for some reason that just really gets on my nerves but that’s just me. I can completely see myself loving this more on rewatch too
Is this a tragedy or a comedy? Either way it’s a masterpiece.
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