Synopsis
Neo-Tokyo is about to E.X.P.L.O.D.E.
A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
1988 ‘アキラ’ Directed by Katsuhiro Otomo
A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
Haruyo Kanesaku Shunzo Kato Yutaka Maseba Hiroe Tsukamoto James Yosuke Kobayashi Sawako Noma Yoshimasa Mizuo Ryôhei Suzuki
Akira Committee Company Ltd. Mainichi Broadcasting System (MBS) Sumitomo Corporation Toho Company, Ltd. Studio Fuga Studio Aoi TMS Entertainment Kodansha Bandai Entertainment Inc.
AKIRA
Man, I watched this film so many times when I was younger.
In fact, you could say I watched A Keira Knightley.......
I'm sorry.
94/100
An aggressive tour de force of influential animation, tangible world-building, inferiority complexes, biker gangs, giant teddy bears, and overwhelming sequences of violence. It stays burrowed in your psyche, ruining a certain, seemingly simple nerve and, in the blink of an eye, shifting perspective and rendering previous knowledge meaningless. Strangely enough, this is only the second time I've seen Akira, with the first being my "initiation" (age 11) via a dubbed VHS copy, but I can't imagine spending more than a year away from this film ever again. It's a horrifyingly grandiose tragedy piece, melding flesh and metal, revolutions and minuscule angst, mind and body, rubber and pavement into a Nuclear aftermath of neon and rubble. In spite of its countless influences (Metropolis, 2001, A Clockwork Orange to name a few), there's nothing quite like it.
"The future is not a straight line. It is filled with many crossroads. There must be a future that we can choose for ourselves."
Akira is one of the most important Japanese animated films of all time, and not simply because of the technical landmark it achieved in hand-drawn animation. It is an attempt to speak about one of the most unspeakable tragedies in human history, and to deal with the nature of atomic power and with historical change as such. The narrative begins with an image of a massive explosion devastating the city of Tokyo, but while the location is different and a title card claims that this is the beginning of World War III, there's no mistaking the…
Probably the most galvanic and visceral example of a nation's collective psychic fallout since Honda's GODZILLA. Simultaneously dreading and anticipating a return to power.
A bloated storyline, & a lengthy runtime that can be felt at parts undoubtedly hold back Akira from being fully exceptional, although this animated feature does still shine enough in quite a few sections to make it a moderately adequate time for the most part.
The absolutely striking animation looks/visuals plus the vast scope of 'Neo-Tokyo' throughout, and the film's reasonably mature content are certainly the notable highlights of this one for sure as it takes care of those particular elements relatively fine.
Some solid action as well, and I can see why this was highly influential for modern anime in the end, too.
kaneda and tetsuo should have just fucked it would have gotten rid of a lot of the tension between them
Neo-Tokyo. A giant-ass explosion. A crotch-rocket battle with the Insane Clown Posse. Suicide by cop. Ryu without Ken. Weird looking kids with cool powers. Student riots. Fuck is fuck in any language. Super-powers that make Carrie look like a Telekinesis Smurf. Oh Kaneda. Anime boobs. A barkeep's last pour. A determined general. Blowing a lot of shit up. Showdown at the Olympic Stadium with your best friend. A huge fuckin teddy bear. Attack of the giant arm. Becoming something you sure as fuck never dreamed of. A wild-ass visual adventure that is a must see for anyone who is Anime-curious.
Where do I even start? How each scene is so meticulously set up? How the amount of devotion invested in bringing neo-tokyo to life is clearly shown in the amount of attention paid in drawing each rock, each debris, each tiny detail? How the film depicts life in this cyberpunk world without using a single line of exposition, yet the viewers can still grasp the idea as if they've been living there for years? This is a film that should be studied down to every frame by anyone who has even the slightest interest in animation.
Akira literally rocks. I started watching while sitting in an upright position, but when the credits rolled I realized I was hanging on the ceiling fan. Not a surprise, for a film that starts with a nuclear explosion.
Boooooooooooooooooooooooooooosh
Hold your jaw.
What a mess! First off I have to be honest with you, I am not the biggest fan of dystopias. I think it is the genre in art that generally gets over-valued, while the works within it are all basically doing the same over and over again. Akira, unfortunately, is no exception.
I can see how Manga and Anime fans fall head over heels over this film. It is full of its own mythology and the mythology of the genre. As many Mangaheads are also deeply into Japanese culture, the Tokyoishness of the film is something else they would appreciate.
What I did enjoy was the first act of the film, where the motorcycle chase/gang battle took place. All the…
Watched the new dub and was sad to hear that the "that's Mr. Kaneda, to you" line was no longer there.
As someone who does not know much about anime, Akira is, without a doubt, a masterpiece in storytelling and animation. The film is a coming-of-age drama in the confines of a dystopian political tale where authoritarianism controls the individual through violence and power. As the narrative progresses, Akira incorporates elements and sub-genres and subverts them into a cohesive whole. Considering the animation, Akira has some of the most awe-inspiring moments in cinema due to the color pallet and vivid imagery. The idea of this movie being remade was odd because a live-action version could never capture the artistry of this film.
so i grew up on the manga and i'm giving it four stars because of that. i love some good post-ap shit tho.
As with literally any anime I’ve watched, I’m left with some questions. Let it be said tho that the music and animation was fucking amazing hehe <3
ROAD TO "NO MORE HEROES 3" - Film #1
Can't wait to revisit this a few more times, hopefully after reading some of the countless think pieces and analyses written over the course of this movie's storied history. All rightfully deserved, there is simply so much to unpack here.
All I can say for sure now is that I ate up the cyberpunk x body-horror hybrid aesthetic and that the storyboard for this must've been INSANE. It's a glorious masterstroke that has earned its phenomena status tenfold.
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