Synopsis
Beware the Moon.
Two American tourists in England are attacked by a werewolf that none of the locals will admit exists.
1981 Directed by John Landis
Two American tourists in England are attacked by a werewolf that none of the locals will admit exists.
David Naughton Jenny Agutter Griffin Dunne John Woodvine Don McKillop Brian Glover David Schofield Lila Kaye Rik Mayall Sean Baker Frank Oz Paul Kember Joe Belcher Paddy Ryan Anne-Marie Davies Colin Fernandes Albert Moses Jim Henson Dave Goelz Michele Brisigotti Mark Fisher Gordon Sterne Paula Jacobs Claudine Bowyer Johanna Crayden Nina Carter Geoffrey Burridge Brenda Cavendish Christopher Scoular Show All…
Um Lobisomem Americano em Londres, 狼男アメリカン, ookamiotoko american, Un hombre lobo americano en Londres, Un Hombre Lobo Americano En Londres, Ένας Αμερικανός λυκάνθρωπος στο Λονδίνο, Американський перевертень у Лондоні, Varulven i London, Amerikkalainen ihmissusi Lontoossa, Un vârcolac american la Londra, En amerikansk varulv i London, Американский оборотень в Лондоне, Enas Amerikanos lykanthropos sto Londino, Egy amerikai farkasember Londonban, Kurt adam Londra'da, Hombre lobo americano, 美國狼人在倫敦, Le loup-garou de Londres, Un lupo mannaro americano a Londra, American Werewolf - Fürchte den Mond, Американски върколак в Лондон, Enas lykanthropos sto Londino, Amerykanski wilkolak w Londynie, Ihmissusi Lontoossa, American Werewolf, Američki vukodlak u Londonu, El hombre lobo en Londres, American Werewolf in London, An
John Landis' horror comedy is probably the best werewolf movie ever made with a fantastic transformation sequence that still holds up to this day it looks and feels painful, a true landmark moment. A true classic of the genre.
Inarguably the most finest werewolf film ever made in cinematic history, John Landis' An American Werewolf in London nearly four decades on still manages to both entertain and frighten in sharp ways not many other horror-comedies of similar variety can usually do.
This film rather especially blends both the humor and horror to a near-flawless degree, with the charmful figures of David Naughton and Griffin Dunne adequately providing the laughs from the start, and needless to say, the werewolf itself is the overall renowned and leading factor here to boastfully bring in the scares throughout which indeed works just about entirely due to the remarkable practical make-up effects on the titular creature itself that was masterfully done by Rick Baker.…
bom ba ba bom ba bom ba bom bom ba ba bom ba ba bom ba danga dang dang ba dinga dong ding
Director John Landis's An American Werewolf in London hits the sweet spot time and time again! The film continues to resonate with me after 34 years and I find that simply incredible!
I attribute it to the comedic yet endearing onscreen budship between David Kessler (David Naughton) and Jack Goodman (Griffin Dunne)! The special effects team that made the jaw dropping Werewolf transformation scene possible! Great gore effects and exceptional make up and costumes! John Landis's ability to maintain a wonderful balance between horror and comedy! Fast paced, clever script geared to adults not to children with a killer soundtrack!
Speaking of the soundtrack whenever I hear Bad Moon rising by Creedence Clearwater Revival or Bobby Vinton's Blue Moon I can't help but think fond thoughts about this film!
An American Werewolf in London is a film that scarred me for many years after watching the horrifying transformation sequence as an impressionable five-year old. So traumatic was the experience that I couldn’t watch anything with a werewolf in it until my late teens. When I had finally plucked up the courage to finally sit down and view the entire film I was surprised to find a movie that was as blackly humorous as it was frightening, a rare achievement as most horror-comedy films normally struggle to balance the chuckles with the chills.
My last viewing was about ten years ago and unfortunately this latest rewatch did not hold up as well as I had expected. The film still excels…
After watching An American Werewolf in Paris I needed to cleanse myself with the murky, fog shrouded, spooky train station, manic car pile up, perfect balance of terror/comedy that is American Werewolf in London. One of those movies I saw later in life that I barely revisit so I can savor how genuinely funny I find this movie to be.
I’m not really the biggest John Landis fan but I do love this movie
I’ll start by apologizing for this not being another Resident Evil review. I know they were enthralling but I didn’t want to overwhelm anyone, I’m sure you’ll understand. That being said, let’s talk a little about a good movie. An American Werewolf in London is one of my favorite horror films, scratch that…..films. As far as I know it basically birthed the modern horror/comedy genre in tandem with The Evil Dead which was also released the same year. The latter, along with its sequels seemed to amass more of a cult following over the years whereas this one seems to be a tad overlooked. Boy do I love it.
When trying for something of this nature, it is often difficult…
best transformation was seeing
“I will not be threatened by a walking meatloaf!”
turn into
“I didn't mean to call you a meat loaf, Jack!”
that’s what we call character development ladies!!
why have only one version of Blue Moon in your film when you can have three instead
Known for its sly sense of humor and Rick Baker's fantastic creature design and effects, John Landis's "An American Werewolf in London" is a horror film that is, at least, superficially pleasing. There is not a lot lurking beneath its narrative surface, but it is a fun, violent, and appealing genre outing, nonetheless.
Its story is rather simple. While visiting the United Kingdom, two Americans are attacked on the moors. One of the young men dies, while the other becomes a werewolf. The dead friend returns as the conscience who tries to convince the werewolf to take his own life before he hurts those he loves.
While the narrative is decidedly straightforward, its plainness punctuated with neatly nasty dream sequences…
david: me jogue aos lobos e aiaiai o lobo me mordeu
meu.... a montagem perfeita sério meu pau está muito duro
No começo parecia ruim, no final parecia que tava no começo
Meu deus, que filme ridículo
The nurse character is a pedophile. Here me out:
She plays around with the kids and is amused by their naughty antics like refusing to take pills and hitting her leg. She leaves and goes to Jack for their first romantic scene. He refuses to eat the food, so she feeds him herself LIKE YOU WOULD FOR A KIDD!!!! The sexual tension is undeniable and I won't spoil the rest.
But hey, thats just a theory. A game theory.
I genuinely believe this is the greatest piece of horror to ever grace the world of cinema.
Wild that John Landis made some of the most compulsively likeable movies of all time and then produced Max Landis. Also hey have you read that essay about how this movie is an allegory for the exoticised Jew? Crazy stuff. Me, I'm just here for the Rick Baker.
Aunque cuenta con alguna secuencias fascinantes, especialmente para la época, esta pieza siniestra se desvirtúa conforme avanza logrando una cuántas escenas innecesarias que deterioran la promesa de terror licántropo que le dió comienzo. La mezcla de géneros y la burla tácita al terror sin ridiculizarlo funciona en general pero no de un modo tan memorable como algunos intentan proyectarla.
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