Synopsis
A half-black half-Filipino Michael Jordan wanna-be sets his way towards his “hoop dreams.”
2018 Directed by Timmy Harn
A half-black half-Filipino Michael Jordan wanna-be sets his way towards his “hoop dreams.”
It went from "O TANGINA ANG GANDA" to "Wow this got very uninteresting huh?" then to "Ah saks lang".
Tbh, the ending/end credits would've been a lot better if they used Wala by Eraserheads but the lyrics is changed to "Wala nang shabu...n".
Starts off decently enough, but eventually buckles and full-on collapses under the weight of its own cynicism and pretension. Ugh.
Receiving multiple impatient texts while in the middle of a blood magik ritual is oddly relatable.
this is how I imagine this screenplay was written:
act 1 - okay I will write this film about basketball and blood magic but I will take this (insert drug here) first
act 2 - shet tumatama na yung drugs sheeeeet
act 3 - UHHHHH ANG LAKAS NG AMATS WHOOOO ASFSFADADSGHFJFHDHDH
ending - ...and that's how Harry Potter destroyed the death star. Submit to QCinema... sent!
dont do drugs, kids
I don't really know what to say except that this film reeks of toxic masculinity and misogyny. Props to Adrienne Vergara, though; she stole every scene she's in.
“Ano ka, Hogwarts?” Hahahahhaha tong qcinema di nawawalan ng circle entry na wasak, no?
The opening is incredible. A woman in a 1976 Galant beckons an unseen man to stay with her. Cut to Pinatubo erupting. The same woman, later, is in the same car, talking about how she can no longer stand this life, and how she's going to offer her blood to her child. We witness a ritual: a baby bathed in the blood of his mother, which is pouring out of a gash in her neck.
The movie doesn't really get better than that, but it holds on to that feeling for a while. The entire first half of this film is compelling in its vulgarity, the sense of transgression casting an ironic glow over the familiar story of a young…
The first half of the film was initially gripping---from blood magic to subjects of racism, to the 'palakasan system' in the local basketball scene, the film had a story that is unique about the Filipino-Black American experience, but that's about it. When it used meth as an element to move the story, it was just too difficult to watch.
Receiving multiple impatient texts while in the middle of a blood magik ritual is oddly relatable.
It's scary how much effort and value we put on the messianic figures in our lives. Dog Days reminds us that they are still human and ultimately subject to failure despite how much they've been raised up.
If our messiahs are subject to temptation, shouldn't they be subject to succumbing as well? All the more, shouldn't they equally as compelled to give up when things get tough?
New breed of art-house. In short, W A Z A K.
Sure, hindi siya ganun ka pleasing or hindi mo kakayanin panuorin ng derecho. Pero the more I think about it. Ginugulo ako ng utak ko. So I guess nag-work yung “treatment” from Timmy Harn...
+ I rarely watch "underground" Filipino movies so there's a novelty to it when watching one. This is not the typical Filipino movie and I appreciate how it isn't too serious on being left-field.
- I don't know why a lot of Filipino movies, even those far from the mainstream, seem to have a dialogue that ends up sounding written.
- It wants to tell a lot of stories but it ends up being flat (not a fan of "weird" movies).
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