Synopsis
A tasty comedy of bad manners.
A relatively boring Los Angeles couple discover a bizarre, if not murderous way to get funding for opening a restaurant.
1982 Directed by Paul Bartel
A relatively boring Los Angeles couple discover a bizarre, if not murderous way to get funding for opening a restaurant.
Paul Bartel Mary Woronov Robert Beltran Susan Saiger Richard Paul John Shearin Darcy Pulliam Garry Goodrow Richard Blackburn Hamilton Camp Buck Henry Anna Mathias Ed Begley Jr. Billy Curtis John Paragon Edie McClurg Charles B. Griffith John Landis Hanns Manship Lynn Hobart Mark Woods Ben Haller Roberta Spero Vernon Demetrius Arlene Harris Buster Wilson Marta Fergusson Pamela Carter Beans Morocco Show All…
"At the store, can you buy a new frying pan? I'm a little squeamish about using the one we use to kill people."
More like a messed up Looney Tunes cartoon, this movie mixes black comedy and with very upbeat characters, striking a tone I've rarely seen. The reason I compare it to a Looney Tunes cartoon is how singularly directed the characters seem. These characters aren't at all three-dimensional but I don't think it's going for that. Much like a cartoon, you're watching these extremely motivated characters stop at nothing to get what they want.
I haven't quite dissected all of the film's social messaging but fundamentally, it's breaking down the illusion of the suburban fantasy. They sleep in…
honey I just killed a man
he WAS a man, now he's just a bag of garbage
A sexually repressed married couple trying to buy a restaurant devise a plan to murder swingers in order to get the money to do so in this bizzarre dark comedy. A satire on the American middle class's puritanical ideas of sex, as well as greedy consumerist and capitalist culture that allows people to justify any actions with a feeling of entitlement, on the swinging '70s and the residual garishness of the early '80s, and even the prudish backlash represented by the main characters. Just absolutely wildly entertaining.
Oh wow I absolutely loved this! It’s about an uptight couple who discover an unconventional way to make money when they accidentally kill a neighbor and it’s just so much fun. Also, I LOVE MARY WORONOV.
I remember this being a popular movie in the 80’s although I was too young to see it during its heyday. I remember always seeing that VHS box at the video store, but I never had an overwhelming urge to “sneak watch” it without my parents knowing. Once I was grown, I went through a period where I was entirely obsessed with anything related to Andy Warhol and The Factory, which is where I discovered Queen Mary W and still I never got around…
"At the store, can you buy a new frying pan? I'm a little squeamish about using the one we use to kill people."
Arguably his most important film, Paul Bartel's 'Eating Raoul' is a delightfully deadpan, screwball comedy, featuring an unconventional, peculiar couple in a universe where everyone is either expressively overt or flat and dull - realistically so, to them. It's a unique reality, one where insignificant conversations are intertwined, as casually as human possible, with acts such as murder, robbery, selling corpses and cannibalism. This all playfully unfolds alongside jaunty, circus-like music, calm attitudes and wacky sexual fetishes. It plays out so freely exotic because the plot makes it so, despite everything else feeling so plain and ordinary.…
Frying Pan of Suburban Doom +2
Speed Factor: 5
Damage: 25-65 HP
Attributes:
+10 DMG to swingers
+5 DMG to child/nazi impersonators
Special Abilities:
35 % chance critical hit to black/latino men
There’s a lot of witty dialogue and committed performances from the three leads, but..... I find it next to impossible to enjoy a watch where there’s an excessive abundance of rape scenes that leaves the movie feeling like a real long rape joke. Blame it on me being a feminist with no sense of humor and a survivor of my own assaults but rape as a joke build up just doesn’t get me going! Who woulda thunk? Sorry for being a stick in the mud!! But also, I’m not sorry at all! :0)
“Keep cool, baby—I know what I’m doing... I’ve got ambition”
Definitely in the running for my favorite comedy? Haven’t watched this in YEARS and it’s even better than I remembered.
Paul Bartel’s underrated comedy gem Eating Raoul is an unflinching, black as night satire about the sexual delirium, pecuniary obsession, and hedonistic Zeitgeist of 1980s America, appropriately set in the sweltering, decadent metropolis of Los Angeles, California. It’s relentless in its farcical portrayal of societal atrophy that I liken to a classic Tex Avery skit given a feature length runtime and filmed in live action, where all the men are Big Bad Wolves and all the women are Red Hot Riding Hoods. This is my first foray into Bartel’s scathing, gag-filled, politically incorrect works and I am pleased to say that it delivers the goods and the laughs in generous abundance.
Bartel teams with Mary Woronov of Chelsea Girls fame…
Delightfully sexy and silly, this film is a bizarre delight. God, such an antidote to the bad horror blues, and I wouldn't've watched it if it hadn't been misclassified as horror. It's dark comedy and possibly satirical (or maybe just absurd). It really nails how absurdity can make villain-protagonists palatable. Of course, there's a contrast between our Bland murderers and their comrade/enemy Raoul, but no one in this film is anything but a bad person in some way. Still, there is something endearing about how the Blands sleep with stuffed animals/wine bottles, in separate beds, and to be honest, something sexy about Mary in general.
Criterion Collection Spine #625
Who knew murder for profit could be this much fun, and if the sexual revolution has got you down, then smack it in the the head with a frying pan!
Eating Raoul is an extremely quirky satire written, directed by, and starring Paul Bartel as Paul Bland. In the story Bland and his wife Mary played by Mary Woronov are a down on their luck couple in sex crazed Los Angeles. They live in a building full of swingers, and one night when one of them gets too frisky with Mary, Paul finds out that he can put this sexual deviant out of his misery by hitting him in the head with a cast iron frying…
The filmic equivalent of a Robert Crumb comic, this is a live-action cartoon defined by it's straight-faced sense of irony and cynicism, and everyone can get a taste. I love it - it's sheer, knowing mean-spiritedness, in action. Everyone is a caricature here, as over the top a collection of intentionally low-rent stereotypes as you'd find in Fritz The Cat.
To be sure, visually Bartel isn't trying to do too much - everything is composed very haphazardly, belying the film's low budget. But, that's part of the film's indelible charm, of a piece with John Waters and other smirking purveyors of high-class trash, though Waters was much more in love with his misfits where Bartel is wary of everyone - this is very much a lesson on writing and directing (and producing) within your means. Practical lighting abounds.
Take note, however. It all works wonderfully.
75/100
Paul Bartel and Mary Woronov are very funny. This film had a fairly low budget, but it gives the movie alot of charm, everyone involved seems like they're having fun.
It's very mean-spirited, every character is a jerk, but that just makes it funnier when it cuts to a shot of their body barely fitting in the garbage bag on the Bland's kitchen floor.
Eating Raoul is one of its kind: a farce semi-screwball comedy in a world that's basically one pervy Looney Tunes cartoon, a short run time that leaves barely enough time to catch your breath and comprehend what's happened. I was also surprised by how much I was fooled by the premise; my eyes saw "restaurant" and "killing swingers" and thought this was gonna be like some Motel Hell shit but nope!
So yeah if you're up for something oddball and memorable give this a watch...even if the title is a spoiler...well okay not really that but it comes into play for a clever little mind trick.
Also I notice newr the end our lead man makes a reference to stepping a on a snail on the steps...and I just watched Training Day where Scott Glenn told a story of an abused snail that ended up smushed on the porch outside...🤔
Paul Bartel looks and acts exactly like my old film lecturer (L. Napper). What’s scarier is the fact I can imagine him doing this to.
Like most older comedies, it’s funny but also terribly problematic. Enjoyable as long as you don’t pay attention to the sheer number of attempted rapes that occur
super campy, endlessly entertaining and made some points on american consumerism and the sexual revolution whilst being utterly ridiculous and hyperbolic reminded me of a john waters film.
“why don’t you go to bed, honey. i’ll bag the nazi and straighten up around here.”
gotta be the most delightfully funny movie about murder, sex kinks, and cannibalism ever made. so many good bits so many jaw dropping moments, what a ride.
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