Synopsis
The love story of a siren, a giant, and a dwarf!
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
1932 Directed by Tod Browning
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
Harry Earles Olga Baclanova Daisy Earles Henry Victor Wallace Ford Leila Hyams Roscoe Ates Angelo Rossitto Jerry Austin Daisy Hilton Violet Hilton Schlitzie Josephine Joseph Johnny Eck Frances O'Connor Peter Robinson Olga Roderick Koo Koo Prince Randian Martha Morris Elvira Snow Jenny Lee Snow Elizabeth Green Edward Brophy Matt McHugh Rose Dione John Aasen Ernie Adams Demetrius Alexis Show All…
Freaks - Missgestaltete, Forbidden Love, Freaks (La parada de los monstruos), Barnum, A Parada dos Monstros, Fenómenos, Sirkusseurue, La Parade des monstres, Freaks - La monstrueuse parade, Уродцы, Nature's Mistakes, Nakaze, The Monster Show, Zrudy, The Freaks, Sirkussällskapet, Monstres, Τα Τέρατα, 怪胎, Szörnyszülöttek, Изроди, 怪物団 フリークス, Ajibolkhelgheha, Dziwolągi, L'amour chez les monstres, Freaks - kummajaiset, Потвори, La parada de los monstruos
A startlingly brave film for the time it was made in, Freaks is a genuinely empathetic story that still retains its power today. Quite who the real monsters are becomes clearer the more we are taken into the world of these circus performers. The horror arrives not from those who appear different from the 'norm' but those who cannot accept them.
There are moments of course where Tod Browning verges on exploiting the very same people he is trying to humanise. Some scenes are clearly set up as a spectacle, such as the man without limbs lighting his own cigarette or the rush to the bearded lady's tent to see her newborn. Yet by not filming their performances in the…
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Film #1 of "Scavenger Hunt #4" Challenge!
Task #4 : Film featuring dwarf(s)
letterboxd.com/naughty/list/scavenger-hunt-4/
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I imagine this film must have shook the audiences to their very core back in the 1930's when this came out! Mankind was still reeling over the fact the earth is round not flat! They were still very much stuck in a quagmire of old wives tales, omens and superstitions!
Tricky business depicting deformity in the cinema! More times than not.. in the cinematic equivalent of the "Dark Ages" depicting deformity earned your film a good sound banning!
Thankfully I'm from a time and age where deformed and or handicapped fellow human beings are no longer looked upon with repulsion or disgust and treated…
"One of us, one of us, we accept her, we accept her" - The Freaks,
-Daily Horror Hunt #13 (July 2019): boxd.it/3uAuO
Day 23: A horror feel that takes place in the circus.
If I could light a cigarette like that I'd still be smoking.
In Freaks, we spend a short period of time in a traveling circus/freak show as used to exist at the time of this film. Much of the film is seeing the different characters interact with each other and soaking up the atmosphere. These were real people who were performing at the time. You see some of the "pinheads," a man missing the bottom half of his body, a little person with no limbs, the bearded…
The destroyed 90-minute cut of this—so intense that someone threatened to sue MGM, claiming the stress it caused gave them a miscarriage—has got to be one of the greatest losses to our movie heritage.
"One of us" - Everyone,
- Fall Rewatch 2020: boxd.it/82kok "Rewatch a 1930s film"
Lighting a match with no arms or legs... magic.
I've watched Freaks a bunch of times but I chose to watch it again because it's so interesting. I love that it's a movie that somewhat definitively says "Hey, you know those people that you want to make fun of? Don't or they will fuck you up."
After years of lying – endlessly telling people I’d seen it, when I actually hadn’t – I decided to finally take Missy Elliott’s advice and get my freak on.
My dishonesty was warranted. This film is so extraordinary, that to admit you haven’t watched it would be unforgivable. They could lock you in a cage, poke you with sticks – they’d be justified.
So don’t tell anyone it’s a blind spot. They’ll lose all their respect for you—and they don’t really have that much to begin with. You should hear what they’ve been saying behind your back.
"We accept her" -the gang,
Oh to see that destroyed footage. I could watch Prince Landian light a cigarette 100 times in a row and still think it was cool. If you haven't seen this, do so. It's a real delight.
Often mistakenly considered a horror film due to its director being associated predominately with the genre, particularly after helming Universal Pictures Dracula, Freaks is instead a unique film about a travelling carnival sideshow and the camaraderie of its extraordinary performers.
Browning, who had a personal background as a vaudeville performer, assembled a remarkable cast with some genuine abnormalities, many of whom had primarily made their living in circuses and sideshows. The film obtained immediate notoriety where it was the victim of harsh censorship in the US as well as strangely being banned in the UK for almost thirty years.
It's a bizarre and fascinating film which expends a large amount of its runtime exhibiting its cast of characters occupied in…
Uh... Wasn't that something REVOLUTIONARY.
I wasn't expecting this at all but man, what a lesson in humanity.
Geoff T's Hoop-Tober 4.0 Challenge
Freaks (1932)
And so I finally begin Hoop-Tober 4.0, maybe a little later than everyone else but better late than never I suppose. The first viewing is this controversial oddity from 1932, which has a bit of history behind it. It's taboo nature led to it being banned in the UK for a good 30 years, and being heavily scorned by critics even when MGM removed parts prior to release, who ended up disowning it all together.
Freaks looks into the happenings of a travelling circus trope, whose attractions include all kinds of people with bizarre defects, from dwarfism to conjoined twins, to people without limbs or torsos (!). The key story is about trapeze…
We accept you, one of us! Gooble Gobble!
-Freaks
A year after Tod Browning immortalized Bela Lugosi as Dracula he came out with the ever so controversial Freaks, a film that, all things considered, is better then the director's more famous earlier outing. It's also the film that supposedly brought on the demise of his career.
Looking at the poster you can see the studio trying to sell the picture as an exploitation flick with headlines like "Can a full grown woman truly love a midget?". MGM was basically acting like a carnival barker trying to get spectators to look at their "freakshow".
The film itself is much more then the poster suggests though. While it's cast mostly all have…
Should be seen in its entirety. The ending needs to be taken in context. The able-bodied community needs more like Phroso and Venus.
“You laughed at them, shuddered at them. And, yet, but for the accident of birth, you might be one as they are. They did not ask to be brought into the world. But, into the world they came. Their code is a law unto themselves: offend one and you offend them all.”
Hm. So that movie changed my life. Literally one of the one satisfying movies I've ever watched. Get fucked Cleopatra.
Eternal fascination is still abound with Brownings sound masterpiece. It will still engage debate, and rightfully so, but it remains a film that grabs you by the throat and doesnt let go with the sense of self it posesses.
To think a film made in 1932 actually provided a voice for disabled people is nuts to me, we don’t even get films like this in 2021, and with most films made nowadays they put deformed people in for shock value this actually made them out to be normal people just like us. And the ending damn.
Followbruary-Film 5 – ein Lieblingsfilm von Florian Halbeisen
Hmmm. Um es bis nach ganz oben in die Riege meiner Meisterwerke zu schaffen, ist Freaks zu widersprüchlich. Der Film oszilliert zwischen Drama und Horror, zwischen Empathie und Exploitation. Einerseits bedient er sich klassischer Horrorfilm-Tropes und spielt mit den Reizen der Freakshows, andererseits zeigt er behinderte Menschen als erwachsene, handelnde Protagonisten mit (sexuellen) Begierden und Problemen. Darin ist er sehr modern.
Mit Thomas von Schöner Denken sprach ich über diese Widersprüchlichkeit, über die turbulente Geschichte des Films sowie über Othering, Gruppenloyalität, Allies und vieles mehr:
www.spaetfilm.de/episode/podcast/sf239-freaks-followbruary-mit-thomas/
Amazing film from 1932 featuring real circus sideshow performers in the film. The scene with the "freaks" accepting a new member into their ranks is a true classic - and the final scene with them crawling in the pouring rain brandishing knives as they prepare to meet out justice is chilling. Director Tod Browning's best film, which is saying a lot as he directed Dracula the previous year.
Like Browning's Dracula from the year before this is also a bit of a slog to get through, moving at a slow pace, even for a film barely over an hour. While it might be sympathetic to the disabled performers it doesn't help that few of them can actually act, the terrible sound recording is also an issue, a lot of the dialogue is unintelligible. The storm sequence at the end is pretty incredible though.
I'm sad that the pearl-clutching fools cut this film down but what's left is still fantastic.
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