Synopsis
A grim fairy tale
A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil.
2020 Directed by Oz Perkins
A long time ago in a distant fairy tale countryside, a young girl leads her little brother into a dark wood in desperate search of food and work, only to stumble upon a nexus of terrifying evil.
Automatik Entertainment Bron Studios Creative Wealth Media Finance Orion Pictures Wild Atlantic Pictures
Gretel and Hansel, 战栗糖果屋, Gretel und Hänsel, Gretel y Hansel, Gretel & Hänsel - Ein Märchen neu erzählt (2020), Gretel & Hansel: Un oscuro cuento de hadas
Very beautifully shot. I felt I was almost in a dream sometimes myself. Shapes and designs we’re almost hypnotic. I also enjoyed the use of sound. Normally kids in a horror to me is the kiss of death to enjoyment. It retells a children’s story in an new and inventive way. The rating before the ending was going to be high but the ending was a little disappointing. As a whole the movie was entertaining though! If you haven’t seen it yet check it out on Hulu!
15
Listen, I'm all for New England folklore adaptations with peerless set-design, not to mention jangling synth scores and precise color palettes, but this is completely undermined by terrible compositions, performances, writing, plotting etc. Basically anything that isn't the set-design and soundtrack is fucking garbage. Weird how Oz Perkins had his own success with The Blackcoat's Daughter and here he's copying the Robert Eggers/Ari Aster playbook pretty aggressively.
THE VISUALS!!!!!! LITERALLY THE VISUALS!!!!!! YOU DON’T UNDERSTAND I’M OBSESSED!!!!!! LIKE THAT’S MY AESTHETIC!!!! THAT’S WHAT I WANT TO ACHIEVE!!!!!!!
Feels like a whirlwind of exquisite audio/visual compositions—from the immaculate crunchy leaf slathered spookdread gloom forest setting to the hazy synth soundwaves echoing like some sort of occult incantation goth chamber music.
Sinister and diabolical atmos seering throughout just solidified that I loved this movie... it’s loaded with top shelve ingredients I go nuts for from a technical standpoint and filled with occult imagery that I didn’t expect to show up at all. It’s deliberately paced... horribly for some... but just the way I like, and Oz Perkins has made me appreciate one of my least favorite fairytales by injecting it with one of my favorite modern horror sub genre excursions:
P ▲ G…
oz is right, women be doing scary, toxic witch shit meanwhile the fellas just wanna chop wood and eat food.
Rotten Tomatoes: 63%
Metacritic Metascore: 64
53/100
Release Date: 31 January 2020
Distributor:
Budget: $5M
Worldwide Gross: $22M
Total Film Awards: 0
2020 Ranked
2020 Horror Films Ranked
This exceeded my expectations but I still felt like much potential was lost with this adaptation of the classic fairy tale.Mother: "Dig yourselves some pretty little graves, and dig one for your mother, too."
👎🏻48%
YouTube review - Click HERE
2020 list - Click HERE
This is a visual feast for the eyes, especially if you’re a studio Horror fan. It comes across as a mix between an artistic attempt, and a film mixing in what genre fans love; but at the end of the day, it couldn’t quite connect the two. It comes across as a hollow attempt to bring us something different. The story goes in all sorts of odd directions, and it never really finds its footing. Let’s get one thing straight; this film absolutely looks great. The use of lighting, the film-style, the close-ups, and many of those attempts to do something different work well. The big issue is the fact that…
I suppose I shouldn’t be surprised that this wasn’t well received and yet I am anyway, especially when so many of the complaints are that “nothing really happened”? Like, did we watch the same movie? Because I thought this was a beautifully dark and completely captivating retelling of the classic fairy tale. I feel like I barely blinked the entire time!
There’s a sinister air throughout the entire movie and you’re just never quite sure if an when it’s going to actually materialize on screen and I loved that level of uncertainty from one scene to the next. Even the few brief semi-happy scenes have a dark undertone and y’all know I love me some of that real dark shit.
Alice…
Really creepy moments and visually cool. I just hated the end though, it just feels so awkward and unlike the tone set the rest of the movie.
A hallucinatory and sickly nightmare. Not much in terms of plot, but that initial story sequence immediately drew me in. This is a very cool, if kind of gross, looking movie. The colors and shot composition are interesting and engaging.
Seriously there is some wild imagery here.
The film itself doesn't have much meat on the bone but it is a short movie so it never overstays its welcome.
It’s boring. There, I said it. This movie moves so fucking slowly. Normally, slow-burn movies do not brother me. I enjoy seeing stories slowly unfold or descend into madness. That being said, this movie just… doesn’t do it for me. I thoroughly enjoyed Sophia Lillis’s performance. She did an incredible job playing Gretal. But everyone else in the movie? Oof. I do like the way that the story deviated from the original story, but it wasn’t done to the best it could have been. I think the idea of making Gretal the main character and making her “special” is awesome. It just wasn’t executed in the best way. The cinematography is probably the best thing about this movie. It’s very interesting. Aside from that, this movie really just doesn’t do it for me.
This movie was not at all what I expected. This is a beautifully dark telling of a story that been terribly told many times before. More of a slow burn folk horror flick. I loved it.
A commendable addition to the currently popular style of horror films: Deliberately slow, atmospheric, with a swift, unforgettable ending. Sophia Lillis is the standout reason to watch this twisted fairy tale adaptation, followed closely by the soundtrack if you’re a lover of the 70s & 80s horror films with synth soundtracks.
Habiendo leído cientos de veces los cuentos clásicos, debo decir que es la primera vez que visualmente una película me resulta tan cercana a lo que mi imaginación creaba cuando era chico. Solo que en este caso bastante más oscuro y perverso.
La arquitectura para generar terror es un recurso brillante. Tiene una forma de narrar y crear climas que me resulta muy atrapante. Los benditos y maravillosos silencios con sentido en los diálogos.
Cómo criticable me quedó el desenlace, torpemente veloz e infantil para lo que la película venía planteando.
De todas formas vale y mucho la pena el viaje.
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