Synopsis
Inspired by a true story three generations in the making.
An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.
2020 Directed by Ron Howard
An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.
Amy Adams Glenn Close Gabriel Basso Haley Bennett Freida Pinto Bo Hopkins Owen Asztalos Jesse C. Boyd Stephen Kunken Keong Sim Morgan Gao Ethan Suess Jono Mitchell Bill Kelly David Dwyer Ethan Levy Caleb Dwayne Tucker Sunny Mabrey Lucy Capri David Alexander Emery Mae Edgeman Tierney Smith Carly Tamborski Zac Pullam
Элегия Хиллбилли, Era uma vez um sonho
i swear to god...if amy adams gets a razzie before they finally give her an oscar i'm going to riot
(also: this is basically this year "the goldfinch")
gotta admire Ron Howard for making sure Glenn and Amy keep a healthy social distance from that Oscar.
The postman knocked on my door halfway through the movie. We had a very good conversation. The interaction between us was so fun and amusing.
Unlike the script of this movie😐
First published in the summer of 2016, J.D. Vance’s timely “Hillbilly Elegy: A Memoir of Family and Culture in Crisis” became a bipartisan bestseller for obvious reasons: It lent conservatives the moral cover that some of them needed to support Trump, and offered “I would have voted for Obama a third time” liberals the performative satisfaction of making a good-faith effort to understand how anyone could. Here was a book that tapped into failings on both sides of the aisle to paint a mutually agreeable picture of the forgotten people in the middle of the country; a Randian self-portrait of a poor Ohio kid with Appalachian blood who pulled himself up by his bootstraps, defied the gravity of the learned…
this is the most wednesday matinee movie i’ve ever seen and if i still worked at a movie theater i would be cornered for 20 minutes afterwards by a geriatric white woman who looks just like old amy adams in this movie and she would give me her full analysis and tell me so many long and pointless stories and i would say “oh yeah?” eleven times and she would never remember my name even though i am wearing a name tag. perhaps she would give me a small totem from one of her many pockets. she would be like a grandmother to me. oh god no one look at me
not to state the obvious but rich people who have never stepped foot in Appalachia should not be making films about appalachia... especially when they choose to adapt a story from a capitalist republican who exploited his family trauma to stereotype an entire region as “poor just because they’re lazy” while completely ignoring the systems that consistently fail them... it’s very much a neoliberal mockery that is beyond embarrassing and nearly impossible to sit through... what was anyone involved in this thinking 😭 fuck this movie and fuck jd vance
(also appalachia is visually beautiful and it’s actually okay to show that sometimes)
This movie would never have had to happen if y’all just gave Adams her Oscar for Arrival
Amy Adams said f—k the Oscars, I’m getting my Razzies.
See also:
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I was wondering how this Oscar contender got such bad reviews, then when I saw the name Ron Howard I was like ohhh makes sense
Now I’m wondering why this was an Oscar contender in the first place. Come on Ron you’re better than this. This movie lasted wayyy to long and it made absolutely 0 sense. The structure, flow, and characters were ass. And this was super irritating at times.
This film really hit home for me.
I thought the direction behind this film was fantastic and although at times it made me feel uncomfortable, the pacing was fantastic.
I really loved the lighting used in this film, it just made every scene feel so alive and real.
The dialogue was realistic and well written.
The acting was really good for the most as well.
There is just something missing from this film, I don’t know what it is, but it’s keeping it from being a 5/5 stars
Amazing performances by all of the actresses. I felt their frustrations, pains, and scars of their pasts. The story drives home the point of family as the foundation by which we are, but that we must build our own house on top of it.
couldn’t stop thinking about how J.D. Vance graduated from YLS and became J.D. Vance, JD. also...Ron Howard directed THIS???
Não cheguei a ler o livro, mas pesquisei sobre e vi que o filme ignorou toda a questão política e desigualdades social trabalhada nele, focando assim em um melodrama muito mal feito.
E mesmo como um drama familiar o filme fracassa, sendo a direção e a montagem horríveis, não sendo um filme coerente e emociante.
Resumindo, fora muito gritaria e pouca história. Por fim, gostei da maquiagem. Nota 4.
Não sei se dá pra classificar isso de outra forma senão como pornô de conservador.
O menino pobre que vira um profissional de sucesso (“sucesso”); a criança tomando as rédeas da situação e trabalhando fora como se isso fosse um grande momento; a noção de que família é mais importante que tudo. (tudo, tudo, tuuuuudo mesmo)
A estética preguiçosa de Howard na construção formal busca, a partir da estrutura do roteiro mais preguiçosa ainda, um paralelismo entre o momento do presente do filme e o seu passado traumático, pobre, difícil que se perde no mais básico.
Não se equilibram sequer os momentos de dificuldade de antes e de depois. Fica tudo muito estranho na construção narrativa. (trânsito no presente se…
Disjointed mess of a film. Having read the book, I didn’t understand how it could translate to film, and boy, it’s worse than expected.
6-time Oscar nominated Amy Adams screams for 2 hours joined by 7-time Oscar nominated Glenn Close who mopes for 2 hours in a story, that has nothing to say or add about the people in the story, or circumstances they find themselves in.
It’s a clunky narrative which ends up becoming a chore to finish, because of the lack of emotional catharsis - the credits reel does a better job with this than the film. The endless loop of the hopelessness the characters keep finding themselves in makes the film so contrived, that it screams Oscar-bait (and will probably get a few noms tbh). Awfully written characters which you end up caring less about compared to when the film starts.
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