Synopsis
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
2014 ‘Левиафан’ Directed by Andrey Zvyagintsev
In a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.
Aleksey Serebryakov Elena Lyadova Vladimir Vdovichenkov Roman Madyanov Anna Ukolova Aleksey Rozin Sergey Pokhodaev Valeriy Grishko Sergey Bachurskiy Platon Kamenev Alla Emintseva Margarita Shubina Dmitriy Bykovskiy-Romashov Sergey Borisov Igor Savochkin Igor Sergeev Kristina Pakarina Lesya Kudryashova Dmitry Kuryanov Artem Kobzev Irina Vilkova Sergey Murzin
Leviafan, Leviatã, 리바이어던, Leviatan
One of the sincerest films I've ever seen, a quality earning it an immediate spot amongst my favourite films of all time.
Leviathan is a bleak condemnation of orthodox religion, the pettiness of self gain and the corruptive nature of power. It is a film that tells its story with an unrelenting and startling sincerity, something I greatly admire in any film, but done to the quality it is done here, it left me angry, melancholic, empty, moved and above all deeply impressed.
Director Andrey Zvyagintsev and his team have crafted a film that is paced astonishingly well and looks breathtaking. The cold, grey cinematography and the impeccable attention to detail in creating this slice of Russian life both add…
TIFF 2014 film #12
Reason for pick: Director Andrey Zvyagintsev, Elena
As my friends know, I usually go completely blind into films, especially at TIFF. My lovely wife does the hard work of picking based on our ( almost universally ) shared taste. Thus, I usually don’t go in with much anticipation. Leviathan was an exception. When I found out that it was on this year’s roster I was positively giddy. We had just watched Zvyagintsev’s Elena a few weeks ago, and I was amazed and refreshed at how well executed it was stylistically, narratively, and thematically.
Preceding the screening, director Zvyagintsev is introduced and bounds out onto the stage in a manner reminiscent of Roberto Benigni. This guy is…
"All power is from God. Where there's power, there's might."
God is great. God is good. But in our earthly realm often God is simply power, the entwinement of church and state making this a reality we stare at everyday.
But how does it come to this? This blatant corruption of religion and government through the covetous vultures that circle above? The same vultures who perch atop the hierarchical ladder which allow us illusory dreams of climbing it ourselves but peck at our fingers when we reach out above. Indeed, the structures are as stratified as they ever were, effectively feudal systems disguised as papier-mâché republics. Lenin, Stalin, Khrushchev, Gorbachev, we may have moved on in time but we are…
'Nothing on earth is its equal — a creature without fear.' (Job 41:33)
Merciless. I have to take a breather after this one. Andrey Zvyagintsev's gut-wrenching drama about a man plummeting to rock bottom is a contemporary retelling of the biblical story of Job, set against the grim backdrop of a Russian seaside town. In Zvyagintsev's bleak world of lovelessness and conceit, the self-serving purposes of each individual float to the top and are pulled taut on the sea's treacherous surface: the trap is laid. The winning scheme is designed, the chess pieces are moved into position; and a man's life is ruined forever. No one cares whether he lives or dies, whether he has ever existed at all. He…
Leviathan is a fascinating tale of corruption and betrayal, relying on some intriguing visual allegories and symbolisms as a way to propel the story. I was surprised by the great amount of witty humor in the first portion of the film, which proved to be very entertaining, also serving as a display of helplessness towards the abuse of power and corruption that surround the town. Then, we follow the destructive paths some of the characters end up taking and the film becomes truly somber. The performances are all top notch and we are rewarded with some of the most breathtaking cinematography ever shown on screen. Director Andrey Zvyagintsev’s geniality consists in leaving it up to the viewer to decide what to make of the fate of these people, ending the picture with a very clever and tragically ironic turn of events. Leviathan is one of the year’s finest films and an absolute must-see!
I’ve honestly never seen a movie with acting that doesn’t feel like acting. It’s like this movie just found a drunk chaotic family with issues and started recording all of their issues. It feels so insanely authentic to the point where you wanna cry just looking at them drown out their problems in any way they can
Relentlessly chilly, although echoing with a restrained heartbeat, Leviathan is a grandiose and heart-wrenching take on Orthodox religion and the corruption that weaves within its system and those who attend. Andrey Zvyagintsev (I'm laughing at myself trying to pronounce his name) paints an epic picture of genuine characters, incidents of fate, and masterful sequences of delicate restraint and wispy visual interactions.
Each frame is finely tuned, with Mikhail Krichman's cinematography tackling intimate portrayals of troubled family dynamics and desolate landscapes with an almost omnipresent view. The imagery here, at many moments, feels as if God is sneaking a peek through the majestic clouds.
The direction goes hand in hand with this view, favoring wide, expansive shots over closeups and narrow…
This modern version of the Old Testament story about Job results in a strong social drama with critique about government control. Beautiful cinematography filled with nature shots and a subtitle soundtrack by Philip Glass. The drama is quite intense and heavy but the emotional impact wasn’t as strong as I hoped it to be. The charachters are interesting enough although the mayor was a bit of a caricature. Also crazy how much vodka they drank throughout the movie lol
Woooooo sounds like Russia is where the real party is at fellas
preparing for loveless tomorrow — phew if it’s as depressing as this i’m gonna have a real fun time
About as oppressively bleak as they come, this is a Russian drama that retells an age old religious story and uses it to critique the various political, social and religious corruption that is consuming the nation.
To say the main character of this film has a shitty few weeks is an understatement.
The look of this film is absolutely stunning, with gorgeous locations and a cinematographer who damn well knew how to use them. The performances are great across the board and I respect the ambitious dramatic vision, even if I think it sort of loses its subtlety and gets lost in itself as it goes along. Definitely keen to check out the rest of Zvtagintsev's work.
That courtroom clerk was straight spitting BARS.
wow i didn't expect that this film was this good. i really liked it. i liked transitions scene to scene. i mean pigs eating food and then man eating his soup. i really liked this film, it's about injustice.
lindo, lindo, lindo. a imponência desse leviatã russo, tão corrupto. muito semelhante ao brasil em muitos aspectos. inclusive, é uma tecla que eu bato bastante: a rússia e o brasil guardam tantas semelhanças que lá, um brasileiro se sentiria em casa.
enfim, antes um leviatã hobbesiano do que um beemote.
Leviatan es una película sofisticada, filosófica, con un humor oscuro, pero que al final termina desmoronándote. Por desgracia creo que es tan sutil y tan larga que me agotó.
Desde el título esperas en todo momento alguna referencia a la figura bíblica o al libro de Hobbes. Efectivamente hay un constante cuestionamiento a la fe, la resignación y la verdadera palabra de Dios. También toca el tema del egoísmo y la mala comunicación que tenemos como seres humanos.
Definitivamente veo una tradición rusa de conflicto interno y de moralidad muy a la Dostoyevsky.
La película está está hecha con una gran maestría y tiene todos los elementos por ser una joya, pero sí me faltó un poco más de empuje para que me acabara de gustar. En fin, ya estoy muy viciado y me falta elegancia.
Incredible. Zvyagintsev’s authorship of his characters’ plight structured within Krichman’s balanced and gorgeous framework leads the viewer through a complex and poignant story of ritual, betrayal and loss, baked against the skeletons of a sea community’s history
Honestly, the extra half star is for the visuals
Extremely disappointing, boring and a lack of connection with the characters. I couldn’t finish it, knowing there was no point as more terrible things would happen and in the end I really wouldn’t give a shit.
I found Loveless to be excellent, so my disappointment comes at my own surprise. I found myself battling to get into Leviathan and really couldn’t grasp any interest.
There are bleak films which are absolutely fascinating and a horrific wonder to watch. However, Leviathan conveys nothing or is so empty that it isn’t able to get its’ point across because, in the end, no one cares.
Hopefully one day I’ll get the courage to finish this and see if I missed out on anything. But, for today, it’s a no.
Rather long but completely involving and vivid portrait of a family struggling to survive against the elements and harshness of the immediate environment, made worse by the activities a of a corrupt local mayor and his aspirations. There is much soul searching with devastating references to the State and the orthodox church and we see the fragility of relationships under this outside pressure exasperated by the imbibing of incredible amounts of vodka. Not just generous portions but bottle tipped on its end pouring or even straight from the bottle whilst wandering about. A fabulous look is achieved with the help of wonderful cinematography even if everywhere looks pretty bleak. Can be a little confusing where the director leaves out key scenes so as to gradually introduce the effects later but in the meantime there is a temptation to wonder if you missed something. Rather sad insight into the countryside living in Russia and brilliant portrayal of family life under strain.
Politics, religion and despair overlap in this powerful new film by the excellent Russian director of The Return.
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