Synopsis
A 14-year old boy’s life changes forever when his estranged mother introduces him to the music of The Clash in 1979 London.
2016 Directed by Derrick Borte
A 14-year old boy’s life changes forever when his estranged mother introduces him to the music of The Clash in 1979 London.
Christine Vachon Alan Pao Scott Floyd Lochmus Sofia Sondervan Phil Hunt Jeff Rice Shaun Compton Ross Alex Cutler Luke Daniels Matt Brown Dennis Mykytyn Angel Chen Lee Vandermolen Alastair Burlingham Tom Butterfield Charlie Dombek
I was sceptical about Jonathan Rhys Meyers portraying Joe Strummer - turns out he gives a decent performance, and imitating Joe is the least of this film's worries.
The script has everything happen to a tremendously annoying 14-year-old boy instead of giving him any agency, never giving the audience any insight into his character or why we should care about him. His Mum sends him a tape of The Clash, he meets a manic pixie punk dream girl on the train who initiates him into the world of punk, his Dad gets in an accident so he has to take care of his little sister (who's 6 going on 35)... There's no initiative on this boy's part - he only…
15 year-old Shay (a name that sounds cooler than it looks when everyone think's he's named after the revolutionist) discovers Punk and more specifically The Clash at exactly the same moment that his father suffers a debilitating piano-related accident.
So when he wants to be running off to gigs with his new girlfriend Viv he's also having to deal with looking after his 6 year-old sister and paying the bills and keeping the family's piano shop afloat by filling in for his father as a cab driver.
Yes, that's right, not only does he have to become a businessman but he has to learn how to drive thanks to Viv, who herself is too young to drive, but also memorise…
It bring tears of joy to my eyes knowing that Joe Strummer never lived to see this film. It would have killed him.
Music for your reading pleasure
This was utterly blooming with punky, charming and stylistic potential. Never ever put in one hundered.
Nell Williams is a joy, so is Daniel Huttlestone. I couldn't help but feel shameful for not enjoying something so eager to please as well as rock an old school vibe. Even 88 minutes feels too long at some points, would work better as a fully developed television programme than one burst of a feature film.
To paraphrase Tenacious D, "This is not the greatest film in the world, no, this is just a tribute". I am a huge huge huge huge fan of classic rock, if you've never listened to The Clash you're missing out. I'll link some…
I just adored this movie. It was such a great coming of age story about a boy who’s always had to step up when his parents didn’t and who just wants to find himself.
He finds himself in a punk club in 70s London and discovers he can be strong and confident in his decisions. He brings his family into the now and finds an unlikely friend in Joe Strummer.
It was a great story and the cast was fantastic. It reminded me slightly of Sing Street, but that’s not a bad thing!
Young Shay discovers the music of The Clash and uses it to get away from his dysfunctional parents, who had both been involved in in the music business themselves.
Jonathan Rhys Meyers plays Joe Strummer fairly well in this punk fairytale, while the parts of Shay and Alice are well played by by child actors Daniel Huttlestone and Anya McKenna-Bruce.
Interesting and enjoyable, this has a silly story arc but it stands as an unusual music film which just happens to have a real band depicted in it.
Dougray Scott and Natascha McElhone are the parents who have let their children down, while Nell Williams plays a sympathetic part as a rich rebel girl.
Not quite as affectionate as Sing Street but a joyous story of young discovery set against the rise of The Clash and punk in 70s London. A fun little watch.
This is the film that first introduced me to the clash and punk. After rewatching it 4 years later I'm just disappointed
This got savaged in the reviews, but I was right to trust my gut given the fact that this was produced in part by Killer Films and Christine Vachon, arguably in my mind, the greatest indie producer of all time, who has rarely steered me wrong, and even her few misfires are at least always interesting.
A punk rock fairytale with a heartbreaking child performance of a kid living a hard working class life with too much adult responsibility thrust on him at an incredibly young age. So much subtle emoting is asked of Daniel Huttlestone and he carries the film commendably. The same year he made London Town, he briefly appeared in The Lost City of Z and hasn't…
Let's just say I went into this film with very low expectations but these expectations where exceeded significantly. The music was great, the plot was great. The only thing bad about it was London felt like 2016 london not 1979 London but then again i understand the struggle to make that happen.
Derrick Borte, de regisseur van het geweldige Unhinged, heeft nog een aantal films gemaakt en deze sprak mij gelijk aan. Mannetje van 14/15 jaar in 1978 en Colonel Jacob Kane, zijn vader, heeft een piano winkel en Karen Californication is zijn afwezige moeder, hij wordt volwassen, krijgt een punk vriendinnetje en hij is fan van The Clash. King Henry III aka Dracula aka Elvis speelt Joe Strummer. Leuke film tegen de achtergrond van Engeland in 1978 een periode die mij heel erg boeit. Ik heb natuurlijk een hekel aan kind acteurs maar dit kereltje en zijn vriendinnetje doen het heel leuk. Ok, nu ben ik benieuwd naar de andere films van Borte zeker die ene met Jim Gaffigan.
This a a great coming of age story with some excellent performances. The drama of the lead's situation is well balanced with moments of humor, keeping the film from being too heavy. The music is excellent too!!
This got savaged in the reviews, but I was right to trust my gut given the fact that this was produced in part by Killer Films and Christine Vachon, arguably in my mind, the greatest indie producer of all time, who has rarely steered me wrong, and even her few misfires are at least always interesting.
A punk rock fairytale with a heartbreaking child performance of a kid living a hard working class life with too much adult responsibility thrust on him at an incredibly young age. So much subtle emoting is asked of Daniel Huttlestone and he carries the film commendably. The same year he made London Town, he briefly appeared in The Lost City of Z and hasn't…
Offbeat but not in the ideal way! I know it’s about The Clash but I guess things just clashed?
idk what to even say. The plot is nothing short of mental, but I guess more than anything it is a celebration of Punk, and its made me go and buy a Clash record so??? Good, I guess??
I generally have mixed feelings about Jonathan Rhys Meyers but he is lovely here as this film’s saintly celebration of the great Joe Strummer.
I love Joe Strummer and honestly, I’m fully ready to believe that he was essentially some kind of saint, so I’m very open to this.
Great work by young leads, mostly carrying the film themselves.
This film concluded a triple-bill of Yesterday, Blinded By The Light and London Town, three British films about ordinary people and their relationship to iconic music.
This is a really heartwarming coming of age story, and I really wasn't expecting the direction it took.
It might be a kind of basic story but, as someone that isn't really into coming of age movies and so, because of that, don't watch a lot of movies like that, I was pleasantly surprised with this. I think the story is fairly good and the cinematography suits the movie. Of course, there's a bunch of music in this and I really enjoyed that aspect. Jonathan's character was a bit odd, but I feel like that was on purpose but, who carried this movie really was Daniel Huttlestone. I did not know him and I was super impressed. Heck, all the…
Las referencias musicales hacen la película: The Clash para todos. La historia es cualquier cosa.
This was a weird one. There was a good film in here somewhere, but it just didn't quite hit the mark. I think with some work this could have really been something.
The stakes were low and the plot was predictable. There were some good performances in this but I wish more could have been done with Joe Strummer, played here by Jonathan Rhys Meyers.
Let's just say I went into this film with very low expectations but these expectations where exceeded significantly. The music was great, the plot was great. The only thing bad about it was London felt like 2016 london not 1979 London but then again i understand the struggle to make that happen.
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