Synopsis
A Bill Gates impersonator’s confession will change everything.
Nathan attempts to help a Bill Gates impersonator reunite with his long-lost love.
2017 Directed by Nathan Fielder
Nathan attempts to help a Bill Gates impersonator reunite with his long-lost love.
Brendan Geraghty Sam Zuckerman Nathan Fielder Leo Allen Dave Kneebone Tim Heidecker Eric Wareheim Dan McManus Christie Smith Amanda Schulz Natalie Darrah
Finding Frances
wonder how it feels to be a filmmaker today knowing this exists and you’ll never reach it’s level of greatness
Nathan Fielder is the new Abbas Kiarostami. A masterwork of reflexivity, questioning the lengths of performance vs persona, and how the manipulative nature of it effects the people and their surroundings it's played upon.
Who would have thought the most poignant moment of the year would be in the same episode as a Bill Gates impersonator singing "ding dong Daddy" and spending a good chunk of Comedy Central's budget on escorts.
the classic old white person move is getting you to sympathize with them for like an hour and then SURPRISE! they’re a trump supporter
top ten anime betrayals: nathan’s face when bill asks the bartender to turn on fox news
A preliminary but confident rating as I think that this might be a valid addition to my two hundred 5/5 rated films (ever), out of the 10,000 or so that I've seen. A deeply psychologically complex masterwork of pure cinema & introspective emotion from the king of contemporary comedy. Hands down one of the very best movies of the year.
"The main thing about age progression is the gravity. What makes people age is gravity. If there were no gravity-for instance, if we all lived in outer space, AS WE WILL ONE DAY, your face would never change. You'd always look like how you look right now."
This man, like any man traveling with two identical printers, is right.
"I can't believe I'm sitting here with Tommy Peacock: Basketball, band, and track."
wow this catfish special is WILD! only thing is, nev looks great but max aged horribly :/
Maci, a hired escort: It's kinda weird having cameras around, right?
Nathan Fielder: We could turn them off if you want.
M: laughs Could we?
NF: Do you want to?
M: Does that defeat the purpose?
NF: What's the purpose?
M: You're filming something. It's kinda the purpose, right?
...
NF: We do have this drone. It'd be cool to get a drone shot, maybe.
Nathan Fielder's just fucking brilliant TV show has always been built around the similitudes between genuineness and artificiality, a complex system of representations that is often reinforced as heterogeneous and/or binary. The above exchange (the last of the show up to this point) circularizes such a system by having all artificial elements reflect on their…
This is the best movie of the year and letterboxd is probably gonna remove this because it's ran by stupid nerds
10/10 for the Comedy Central accountant who had to approve over $2000 for an escort
more philosophically interesting than probably 90% of science fiction films that claim to be philosophically interesting. an outstanding conclusion to a very silly series with flashes of brilliance - here is the biggest flash of brilliance of them all
eg var gjorsamlega ut ur heiminum þegar eg horfði a þessa og naði alls ekki inntakinu en þetta er vissulega besta kvikmynd siðari ára
If you are a fan of Borat, Brüno or any of those kinds of Movies and TV Shows, do yourself a favor and watch the Nathan for You TV Show.
Nathan Fielder should be allowed to do whatever the hell he wants because it will certainly be hilarious.
how did he do it. he’s always making wonder what’s a character, and it’s alllll a character.
An art house episode of "Catfish" which is so good that it makes up for the fact that "Nathan for You" is over.
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