Synopsis
Documents the writing, recording and performing of Nick Cave & the Bad Seeds’ sixteenth studio album, Skeleton Tree.
2016 Directed by Andrew Dominik
Documents the writing, recording and performing of Nick Cave & the Bad Seeds’ sixteenth studio album, Skeleton Tree.
Nick Cave: One More Time with Feeling
This is my formal attempt to convince everyone to see this film. I've talked about my love of it on Twitter but haven't fully went into detail and plus many of you haven't seen me talk about it. So here we go. Note, I'm fully aware that nothing I write can properly describe how perfect this is and how genuinely soul crushing it is but I'm going to try. I will do just about anything to convince you to go and see this. So this is my attempt of writing about One More Time With Feeling.
Nick Cave is one of the most unique and absolutely fascinating musicians of all time. His music with the Bad Seeds is some of…
We all deal with depression and trauma in our own ways and it seems like 2016 is the year where film wants us to reflect on that and study it with films like Manchester by the Sea and Jackie. After finally seeing One More Time With Feeling I can honestly say that this is one of the greatest documentaries of all time. Dominik directs and shoots beautifully in this erapturous and morbid study of trying to let trauma out through creativity and how that usually isn't the correct outlet. I'd suggest reading Logan Kenny's review on it because it's better than anything I can come up with. All I can say is that this was the best 3D experience I've ever had. Everything popped out and it was beautiful. I can definitely say that I have never seen any film quite like One More Time With Feeling and probably never will.
my mum's friend died today. her husband woke up and found her dead. it was the year that they were going to be celebrating their 50th year wedding anniversary, they had all these plans for what they were going to do, they were even gonna go to paris. my mum texted me at about 11 this morning telling me that her friend had died so i called her and asked if she needed to talk about it. when she came home she started crying so hard and i held her in my arms as she told me all about her friend. she told me that her friend had a bad fall last week and how she refused to go to…
The September Movie Challenge!
Film #3
14. Go to your cinema and watch a movie: One More Time With Feeling
I cried in the cinema. In front of a full house of people. Probably the first time I've done that. It was worth it.
From it's raw emotion to it's unexpected comedy, to it's depiction of grief and depression as well as an incredible set of songs, a beautiful black and white visual style, it's ambitious and bewilderingly unique use of 3D, some absolutely gorgeous camerawork and cinematography and some of the most emotionally devastating and quotable monologues makes One More Time With Feeling easily one of the best films of the year.
I may have gone in with slight…
Artists traditionally hate being asked where their ideas come from, but Nick Cave ranks alongside Alan Moore and Lewis Hyde as one of the great taxonomisers of the creative thought process. It's a gift that made 20,000 Days on Earth one of the all-time great music documentaries, and it's a gift that serves him just as well in this film by Andrew Dominik. Unlike the earlier film, Cave is not looking back on his career, but is instead analysing a horrific situation as it unfolds. In the middle of the writing and recording process for his sixteenth studio album with the Bad Seeds, Skeleton Tree, Cave's fifteen-year-old son Arthur fell from a cliff near his Brighton home and died.
Upon…
Can't express how much Nick Cave's music has meant in my life. His songs really help express what oneself can't express. The aggression, the sorrow, the outsiderness. There's nothing like it. I lost touch around the Grinderman project, where he was focused on being a happy man making playful almost back-to-basic rock music. Apart from a few song, that Nick Cave didn't connect with me spiritually. So for selfish reasons it's good to have the vulnerable Nick Cave back. Just very sad that it took such a tragic events like losing a son to bring him back. But it's hard to listen to his new album because now I feel ashamed that I want Nick Cave hurting so that he can make music that suits my vulnerability.
Added to: 2016 Ranked
When your emotions crash with your craft, that's when art is made. Andrew Dominik's ode to Nick Cave and his troubled life's story is just that. It tells of a man, as human as any other, but delves as deep into his being as Cave does into his own soul by writing and performing his songs. In essence One More Time with Feeling is a concert film, albeit one shot in a studio and stretched over the course of many sessions. Yet, with the banality of its setting, the elusive way in which it is shot (in 3D and through whirling black and white cinematography) tries to reach that certain unfathomable depth of Cave's grief and…
Wow.
This really is a beautiful film - haunting like the album itself, but not as emotionally stressful.
The grief Nick Cave went through making this, and is still going through, was depicted perfectly, and the way he described it as an elastic band resonated so well.
He said most of the stuff he said was just bullshit and nothing prophetic like people say, but it really is some reflective stuff, and shows how uncertain and relative he felt towards his devastation.
Losing someone is awful.
Creation embellished the process, induces healing, and watching the studio recordings of the album, especially with the crisp 3D black and white cinematography, really affected me.
I wish it could've carried more weight at…
So devastating, heartbreaking and beautiful.
"They told us our dreams would outlive us but they lied."
This film is a fugue state that completely envelopes you and grips you with sight and with sound. Andrew Dominik has quite possibly created the most beautifully shot documentary film of all time.
The death of Nick Cave's young son hangs like a pall on every frame. I've never been a huge fan of his music, but have loved his film scores and certainly respected his lyrical mastery. That gift for poetry is on full display here and enhanced by Dominik's gorgeous visuals. The death is barely mentioned in the first 3/4 of the film. There are a few oblique mentions of "the catastrophic event" and "the trauma"...but mostly it's fuzzily in the background like a lurking ghoul.
Then the…
I haven’t revisited this since I saw it in theaters, but after watching other works by Dominik I’m able to look back and remember how powerful it is.
It’s a movie that really cherishes human life. I guess that’s obvious in the premise, but it could’ve been extremely exploitive. The fact that it’s not, rather it’s a heart wrenching poem, an ode to a life that was lost, really makes it feel like much more than just a film.
I highly recommend it. There’s really nothing else like it.
Cave is so prickly and uncomfortable and angry, and Dominik, a frequent collaborator of Cave, knows just how much to push. This film has some of the best black and white photography I’ve ever seen. I wish I had seen this thing in 3D.
how do you even rate a movie like this? you can’t rate a movie like this.
but in a way you still can.
it’s beautiful. it’s respectful. this is exactly how you make a documentary about loss
OMTWF is both a brilliantly cinematic and intimate performance film of an excellent album and a stark mediation on grief. Cave's disorientating trauma over the death of his teenage son permeates the film and his narration alters the footage filmed from BEFORE the tragedy, showing how he as been permanently changed by the experience. Sublime.
This is a really well done film that portrays traumatic grief and the creative process. It avoids becoming an exploitation film because all who could be exploited (Cave and his family) were able to remove any part they were in that they didn't like. Cave and his wife, Susie, are very vulnerable at several points when discussing their son, but it's never to an uncomfortable degree (like where they feel like they can't be in front of a camera) and it's not them in their worst, most grief stricken moments either (that would be too invasive).
I think Nick Cave is one of the best and most consistent lyricists ever; he has a way with words like no one else…
Though I'm a massive fan of the album Skeleton Tree by Nick Cave and the Bad Seeds, a lot of this felt like filler for music videos for the album. There were some interesting scenes with input between songs but a more often than not, I found myself not really caring about what was being shown between performances. Which is a shame because the presentation of the performances are fantastic. I kept thinking about "Stop Making Sense", a concert documentary of Talking Heads which is easy to show to both fans and newcomers of the band. It's easy to show newcomers that movie because they can see the visual appeal of the band and their rich, thick musical accompaniment. Personally, I don't see the same thing occuring with this movie. I wouldn't really suggest this to someone who isn't already a fan of Nick Cave or the album Skeleton Tree
Alright, before I get into the movie itself, let me tell you a little story as to how I even ended up watching it.
About a year ago, while I was in England for a year abroad, I studied Film Studies at college there. Just like now, I was very excited about filmmaking then, which is why I also joined the film club. We‘d watch a movie that somebody recommended and discuss it the following week, you know the drill. When one of the film students in the year above me, Ethan (His profile), recommended The Assassination of Jesse James by the Coward Robert Ford, my interest in Andrew Dominik grew. I loved the film and decided to buy two…
It fluctuates between really meaningful content and Christopher Guest. It's in 3D black and white so that's good. There was more money spent here then I will ever earn.
Been saving this one. The best way to start 2021. I could listen to Nick Cave talk about anything at all for several hours a day, it's like melancholy Australian ASMR. Expressions of grief are something that can so easily fall into the dishonesty of gratuitousness or sentimentality. It takes someone really wise to just sit with his feelings and describe them, not time travel to the past or the future to wallow or escape. That's a gift this film gives all the rest of us non-poets who can't easily give language to our own grieving. I'm so grateful.
Cave loves to write over and over about palms, blood, demons, horses, and fire, and six-shooters, and somehow this stuff never…
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