Synopsis
A (very) independent film
Michael and Robert, two gay men living in Brooklyn, spend their last day together before Robert leaves for Africa on work assignment. Michael still has feelings for his friend Nick, who has AIDS.
1986 Directed by Bill Sherwood
Michael and Robert, two gay men living in Brooklyn, spend their last day together before Robert leaves for Africa on work assignment. Michael still has feelings for his friend Nick, who has AIDS.
Richard Ganoung John Bolger Steve Buscemi Adam Nathan Kathy Kinney Patrick Tull Yolande Bavan Andre Morgan Richard Wall Bob Koherr Jim Selfe Kristin Moneagle John Siemens Theodore Ganger Nada Patrick Ragland Cam Brainard Daniel Haughey Sylwia Hartowicz Hanna Hartowicz Nicholas Hill Lee Greenstein Jordan McLean Lori Romero Elaine Swayneson Markus Lawson David Lines Gardiner Kendall Victor Rivers Show All…
Straight guys are jerks. Gay guys are jerks. Straight women are jerks. That leaves lesbians, and they're up in their ivory tower somewhere laughing their heads off at the rest of us.
steve buscemi hits himself in the head with a dildo and says he wishes he was a lesbian what more could you want from a film
"Hetero men have a gene missing or something."
Released in 1986 amid the height of the AIDS crisis, the inspired Parting Glances would prove to be Bill Sherwood's only feature film as he himself sadly succumbed to AIDS complications in February of 1990—less than a week before the similarly tragic passing of my personal hero, Keith Haring (whose artwork is featured prominently in the film).
Comprising the twenty-four hours before WHO employee Robert (John Bolger) decamps for a two-year assignment in Ghana, Parting Glances is mostly seen from the perspective of Robert's partner Michael (Richard Ganoung), an aspiring New York City writer currently stuck editing substandard genre fiction ("He warned me it was S&M sci-fi porn but this is ridiculous").…
The final film and entry #30 in the month-long marathon of NYC movies with my loving partner is a tonally groundbreaking offering in the canon of queer cinema. Thanks to everyone who read along this month and made recommendations!
Parting Glances is the only feature film from director Bill Sherwood, who died in 1990 of AIDS-related complications. The film, which is an understated classic of queer cinema, is a fleeting peek into the lives of a gay couple, Michael and Robert, and their closest friends in mid-80s New York over the course of 24 hours. Veritable Ken-doll Robert (John Bolger), who works for the WHO, has been willfully reassigned to Africa—leaving his editor/writer partner of six years, conscientious but conflicted…
This is a film that captures transience. It watches a group of friends and acquaintances wish well the departure of a mutual friend, focusing on him, his boyfriend, and his boyfriend's ex. While there is an underlying drama to it, the way it plays out seems surprisingly and refreshingly understanding. It isn't some contrived set of misunderstandings that lead to some trite resolution, but a more real, compassionate discussion had (and not had) about this de facto love triangle.
The film itself is a bit awkward at times, and there's a few bits of humor and humanity that don't really work. The conversations between Robert and his ex seem a little heavy handed in terms of getting across some characterization,…
if i watch a gay movie and i don't hear bronski beat in the first half hour, i turn it off. i've seen the first 30 min of brokeback mountain ten times.
I'm not quite sure why, but queer films from New York always seem the most like time capsules -- the fashions, scenes, and music always changing, but the relationship problems always staying the same. This is no different, at times almost feeling like a Very Natural Thing or early Jack Deveau film updated for the Reagan years. AIDS hangs so heavily over this, but what's striking is just how invisible it seems, avoiding the heavy politics of Buddies and the sanitized melodrama of An Early Frost in favor of something that feels a little more lived in; more temporary; more personal. Kind of a wonder, especially the three central performances and Jacek Laskus's surprisingly fluid photography. (Not to mention the no fewer than three Bronski Beat tracks on the soundtrack)
i know making pithy one-line reviews is the Cool Thing To Do on letterboxd dot gov but allow me to be sincere for a moment and say: there is something so simultaneously lovely and powerful watching a movie that has nothing to do with straight people, that doesn't try to be palatable or universal. there's also something to be said for the delightful normalcy of an already established gay relationship being featured so prominently in a film.
the AIDS epidemic truly took so many brilliant artistic minds from the world and i mourn all the incredible gay art that they could have created had they lived.
The Third Letterboxd Film Festival.
Not the most flattering poster that Steve Buscemi could have wished for, huh?
Actually, Buscemi is the main part of the intrigue I had in Parting Glances. His first major film role, shot a good eight years before he was pulling out the world's smallest violin, he puts down a very significant marker for the career he was about to have here. He is easily the best thing in Parting Glances, although he is admittedly given far and away the most interesting character here.
He is a cut way above anyone else in the film, so that is perhaps the reason why director Bill Sherwood, with his one and sadly only directing credit, cast him…
"Jesus, next thing you're gonna tell me you're a fucking republican"
hey um this is the most underrated cinematic masterpiece on this whole goddamn website
Maravillosa! El amor, la soledad, la enfermedad, la vida, la muerte y la nostalgia coinciden en una cinta episódica que brilla por su carisma, sencillez y honestidad. Cuanta sensibilidad para retratar una era que definió a la comunidad con tanta empatía y sencillez. I’m a sucker for young Buscemi ❣️🤤 HERMOSA! :’)
just a few of the lines that i was entirely unprepared for-
“you are a discredit to the homo race”
“it’s the post Kennedy assassination generation”
“i like the chase, im a wolf in twinky clothing”
“jesus, next thing you’re gonna tell me is you’re a fucking republican”
“i mean your dick knows what it likes, when you reach puberty you don’t fucking decide which sex you like, you ask your dick.”
“i shoulda been a dyke. God, i don’t know if you exist, but if you do, you got me piiiiissed.”
steve buscemi listens to mozart while watching mtv, gave his money to an organization that helps aids patients and then openly criticized the government, hits his head with a dildo and lastly he explicitly wished that he wants to be lesbian.
This film took me by surprise. I wasn't expecting to like it at all, but here we are. In many ways, this movie furthered and solidified my desires of wanting to live in the 80s. I want to live in this movie. I want to be friends with Nick, Michael and Joan. I want to go record shopping with Michael. I want to listen to Mozart with Nick. I want to throw parties with Joan.
A really great film-- Parting Glances proves that love is a universal (and complex) feeling. The film makes you feel like a fly on the wall, listening in on the most interesting conversations of the LGBT+ art cliques in New York. I wouldn't have minded if the film was twice as long, it felt like so much more catharsis and conclusion could've came out of Steve Buscemi's character getting more screentime with the main character, Michael. Includes a great soundtrack, and art cameos of the legendary Keith Haring.
ok yeah i watched this for gay steve buscemi and as usual he did not disappoint. the movie itself had realistic, developed characters/dialogue and was really enjoyable, def makes sense why critics consider this movie an important part of gay cinema.
Nucky Thompson plays a gay man struggling with HIV, and he’s never been more beautiful.
Maybe it's just me but I could barely hear the audio for this one? The conversations were so quiet.
Not as funny as I thought it would be but it was good. Sad to hear about the director. I would have liked to see more of his stuff.
am i being forgetful or are there never any movie characters named robert? like sure there are tons of tv show characters named robert or bob but never in film. just a real peeve of mine there’s not any character named robert that i can relate to yaknow? anyways this movie is gay as shit
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