Synopsis
Sherlock Holmes investigates strange and tragic happenings in a village that appear linked to a man who seems to be like a vampire.
1993 Directed by Tim Sullivan
Sherlock Holmes investigates strange and tragic happenings in a village that appear linked to a man who seems to be like a vampire.
Jeremy Brett Edward Hardwicke Juliet Aubrey Roy Marsden Keith Barron Elizabeth Spriggs Richard Dempsey Maurice Denham Jason Hetherington Peter Geddis Kate Lansbury Yolanda Vazquez Maria Redmond Freddie Jones Hilary Mason Stephen Tomlin Eileen O'Brien Andy Abrahams Marcello Walton Paul Parris Anthony Price
The Last Vampyre, The Case-Book of Sherlock Holmes: The Last Vampyre
Much more somber than Sir Arthur Conan Doyle's original short and deepen the vampire myth that tied in village history, broaden to mass fear of supranatural beings across the people. The ghost trick that Holmes attempted to break down, that's clever. I like the ghost special effect. The intercut shot of Jack's past in relation to his [redacted] event was beautiful.
Tiny piece, but I wish I could see Holmes' dearly interaction with the baby as what written in the book.
A gothic-horror-tinged entry of the fantastically watchable series that gets by mostly on its Lovecraft vibes. It’s been a long time since I read “The Sussex Vampire” but I don’t remember it being quite this convoluted. This episode differs from others in both its occult leanings and its sloppy resolution. The explanation mostly makes sense but is almost an afterthought. Still wanna hear more about The Matilda Briggs and The Giant Rat of Sumatra.
I had remembered this as one of the weaker of the feature length Holmes episodes. It is conceptually one of the more far out stories and relies heavily on the emotional inscrutability and obscure motives of its characters, which is likely to go over the head of a younger viewer, who would find it an awkward mix of silly and dull. However, returning to it, it really is impressively pulled off. The ending is admittedly inevitably flat, the genre necessitating a boringly rational explanation, but the build up does everything in its power to assure you deeper waters are running beneath the surface of its characters. The vampirism is more in the form of superstition and iconography with the real…
"Der letzte Vampir" ist erstmals ein Film in der Jeremy-Brett-Reihe, der mit der Vorlage Doyles kaum etwas zu tun hat - bisher zeichnete sich die Reihe durch meist penible Werktreue aus. Was die Erzählung erst zum Schluss enthüllt, ist im Film bereits zu beginn klar: Der Knabe Jack Ferguson ist hochgradig psychopathisch - der Grund und die weitere Entwicklung der Handlung gehen in Film und Buch völlig verschiedene Richtungen und wurden in Buchform 2006 in einem Pasticheroman ("Sherlock Holmes und die Freimaurer") reizvoll fortgeführt. Tim Sullivan führte ein Jahr zuvor bereits zweimal in der Dritten Jeremy-Brett-Holmes-Serie Regie, darunter in der fulminanten Episode "Der illustre Klient". "Der letzte Vampir" kann qualitativ nicht ganz an sie anschließen, bietet jedoch gute Unterhaltung und hervorragendes Gothic-Ambiente!
Upon revisit the lack of sympathetic characters, and increasingly vampire-fixated adaptation weren't the magnificent series' best choices.
Very odd entry. Holmes & Watson are summoned to a village to check out a guy who might be a vampire. They do nothing but watch while events unfold until the third act. Engaging enough, inasmuch as it really wants to be a vampire story.
More of the same kind of thing. Brett is good as usual and it is interesting to see Roy Marsden in this.
This was my first Sherlock Holmes (1984) series viewing and I was enamored. The beautiful shots, the classic and cozy British mystery series feel, and a story that actually brings a good (though light) touch of real vampiric folklore.
Despite my enjoyment, apparently this is one of the show’s few “misfires” so I can’t wait to see some more!
Also as a first time viewer, it immediately became clear that Benedict Cumberbatch’s portrayal of Sherlock (and the show in general) weighs heavily on Jeremy Brett’s own portrayal.
This movie was made 2 years before Jeremy Brett died and it's pretty obvious that he isn't in a good shape anynore. He's the only one that looks like a vampire here.
It's a TV movie, but still pretty good.
The story is a bit slow and the characters are just average.
Somehow I liked it, I don't quite know why...
A Granada series adaptation of The Sussex Vampire though I can’t really comment on how well of an adaptation it is 30 years after reading that adventure. Jeremy Brett’s Holmes does drop the line about 'the giant rat of Sumatra, a story the world is not yet prepared’, which I only recognized because so many other authors have built on the concept. It is one of the longer specials in the 41 episode series meandering a bit and it may have worked better at the typical episode length of 50 mins. It lacks some of the fast pacing and verve of those shorter episodes. Brett looks pale here with his unfortunate illness starting to show, he's not as physical in…
Sherlock Holmes is always best when it leans into the horror aspect of the stories, and The Last Vampyr sensibly does that with the story about a man from a rural village who is rumoured to be a vampire.
Jeremy Brett is still arguably the best of all Sherlock Holmes, and gets him just right, with the right amount of superiority and playfulness.
But also with an added intensity here which suits this sinister story.
Keith Barron is on familiar ground as a man to whom things happen and can’t control them, while Roy Marsden is pretty good and has a certain sinister but charismatic charm which is perfect for the role.
The story is a bit mixed, and while…
Upon revisit the lack of sympathetic characters, and increasingly vampire-fixated adaptation weren't the magnificent series' best choices.
I had remembered this as one of the weaker of the feature length Holmes episodes. It is conceptually one of the more far out stories and relies heavily on the emotional inscrutability and obscure motives of its characters, which is likely to go over the head of a younger viewer, who would find it an awkward mix of silly and dull. However, returning to it, it really is impressively pulled off. The ending is admittedly inevitably flat, the genre necessitating a boringly rational explanation, but the build up does everything in its power to assure you deeper waters are running beneath the surface of its characters. The vampirism is more in the form of superstition and iconography with the real…
Very odd entry. Holmes & Watson are summoned to a village to check out a guy who might be a vampire. They do nothing but watch while events unfold until the third act. Engaging enough, inasmuch as it really wants to be a vampire story.
More of the same kind of thing. Brett is good as usual and it is interesting to see Roy Marsden in this.
This was my first Sherlock Holmes (1984) series viewing and I was enamored. The beautiful shots, the classic and cozy British mystery series feel, and a story that actually brings a good (though light) touch of real vampiric folklore.
Despite my enjoyment, apparently this is one of the show’s few “misfires” so I can’t wait to see some more!
Also as a first time viewer, it immediately became clear that Benedict Cumberbatch’s portrayal of Sherlock (and the show in general) weighs heavily on Jeremy Brett’s own portrayal.
Much more somber than Sir Arthur Conan Doyle's original short and deepen the vampire myth that tied in village history, broaden to mass fear of supranatural beings across the people. The ghost trick that Holmes attempted to break down, that's clever. I like the ghost special effect. The intercut shot of Jack's past in relation to his [redacted] event was beautiful.
Tiny piece, but I wish I could see Holmes' dearly interaction with the baby as what written in the book.
A gothic-horror-tinged entry of the fantastically watchable series that gets by mostly on its Lovecraft vibes. It’s been a long time since I read “The Sussex Vampire” but I don’t remember it being quite this convoluted. This episode differs from others in both its occult leanings and its sloppy resolution. The explanation mostly makes sense but is almost an afterthought. Still wanna hear more about The Matilda Briggs and The Giant Rat of Sumatra.
This is a slog. Doesn't follow the story at all, and just isn't that interesting.
This movie was made 2 years before Jeremy Brett died and it's pretty obvious that he isn't in a good shape anynore. He's the only one that looks like a vampire here.
It's a TV movie, but still pretty good.
The story is a bit slow and the characters are just average.
Somehow I liked it, I don't quite know why...
I love the Jeremy Brett series, but having watched several of the film-length installments now... I have to say, I vastly prefer the shorter episodes. These are short stories. They weren’t intended to be drawn out like this. There are some short stories that have made great films, sure, but all the Granada films have accomplished here is muddying the plot.
All of the added material only serves to confuse the viewer. It’s incredibly hard to follow and much of the mystery isn’t fully explained, contrary to the story it was based on, where everything had a reasonable, natural explanation.
Of course Brett and Hardwicke are as masterful as ever, and the film does a great job of creating suspense…
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