Synopsis
Open up.
Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession.
2019 Directed by Carlo Mirabella-Davis
Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession.
Joe Wright Haley Bennett Eric Tavitian Sam Bisbee David Boies Mollye Asher Mynette Louie Julie Parker Benello Frédéric Fiore Pierre Mazars Yohann Comte Carole Baraton Constantin Briest David Stone Katy Drake Bettner
Saplantı
Fantastic debut by Carlo Mirabella-Davis. With both writing and directing, he really understands how to keep an audience enrapt. The film goes to unexpected places and tackles some heavy subjects. I woke up this morning thinking about it.
And honestly, I can't remember cringing so hard while watching a film. And I'm referring to the good cringe. I would say that the squeamish should beware however anybody would be squeamish when it comes to these some of these scenes.
Halley Bennet truly owns this role. Now I'm a fan.
Beautifully shot by Katelin Arizmendi (Cam) on Arri Amira with Zeiss Master Prime Lenses and color graded by Sam Daley (Florida Project).
This will be on my top ten of 2020. Guaranteed.
Streamed
that jennifer lawrence clone looking mothafacka straight up has binged all those "my strange addiction: i can't stop eating rocks" videos
There isn't a single moment of this movie when I wasn't deeply uncomfortable. Highly recommended.
women be eating!!!!
eating away at their own bodily autonomy by internalizing the roles being projected on them
There’s something fitting about the fact that Carlo Mirabella-Davis’ “Swallow” — a provocative and frequently brilliant thriller about the patriarchal control over female bodies — is set in a purgatorial stretch of upstate New York that’s roughly equidistant from both Jeanne Dielman’s home at 23 Commerce Quay, 1080 Brussels, and the arid San Fernando Valley that almost suffocates Carol White to death in “Safe.” While he might not possess Chantal Akerman’s visionary patience, or exhibit Todd Haynes’ singular talent for mining horror from metaphor, Mirabella-Davis has crafted a sharp and surprising modern fable around a woman whose environment has been weaponized against her since birth.
The submissive but subtly demented housewife of a standard-issue Patrick Bateman wannabe (Austin Stowell), Hunter…
REALLY bummed i never came around to this. while i think the way it goes about these themes is pretty clever, i didn’t really get much out of the film itself other than an “oh, neat” and some really intense squirms. said “ouch” out loud once or twice which is really embarrassing on my part. it had all the right ingredients, thumbtacks and all, but i didn’t taste a thing.
I can overlook her casually eating a battery but I draw the line at that fucking wig
Rotten Tomatoes: 91%
Metacritic Metascore: 66
IMDB: 6.3
83/100
Release Date: 06 March 2020
Distributor: IFC Films
Budget: $4M
Katherine Conrad: "30 hours, and then he was born blue, slate blue, we all thought he was dead, but then he started breathing and crawling."
SYNOPSIS: Hunter, a newly pregnant housewife, finds herself increasingly compelled to consume dangerous objects. As her husband and his family tighten their control over her life, she must confront the dark secret behind her new obsession.
An extremely self-aware A-to-Z psychological thriller about taking back your life through rituals of control, complete with patriarchal caricatures and metaphors of intrusion left and right (think Aronofsky's "mother"--but a dark comedy).
TOTAL FILM AWARDS: 15…
Her husband annoyed the hell out of me. Kinda artsy, kinda cool. Ends a bit abruptly considering the slow build up.
One of the most original, unsettling thrillers I’ve ever seen. Every frame of this movie looks like a painting. The conclusion of the film feels like a massive weight has been lifted from the protagonist and the viewer.
Wow. This made me feel so uncomfortable at so many moments. It created a ton on tension in small moments. And the way it put you in Hunter's place was incredible.
Psikoloji ile alakalı bir şeyler izlemek her zaman hoşuma gider fakat filmde çok fazla gereksiz detay vardı örneğin; Suriyeli bakıcı üzerinden politik olma çabası irite etti. Gerek var mıydı? hiç sanmıyorum, filmin temasına tersti bence. Kısaca konu, fikir güzel fakat işleniş kısmında çok problem var.
Not an easy watch to say the least, Swallow succeeds in disturbing me to the point where I'll never watch this again.
But it's well acted and the sets are really beautiful.
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