Synopsis
Chill or be Chilled
A strange funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.
1995 Directed by Rusty Cundieff
A strange funeral director tells four strange tales of horror with an African American focus to three drug dealers he traps in his place of business.
Clarence Williams III Corbin Bernsen David Alan Grier Wings Hauser Duane Whitaker Joe Torry Tom Wright Michael Massee Art Evans Roger Guenveur Smith Paula Jai Parker Rusty Cundieff Rosalind Cash De'Aundre Bonds Anthony Griffith Rick Dean Samuel Monroe Jr. Brandon Hammond Don Dowe Moon Jones Brenden Richard Jefferson Dawn Gilliam April Barnett Ricky Harris Darin Scott Mark Christopher Lawrence Lira Angel Kamau Holloway Tuck John Porter
Истории квартала, Hard-Core Convert, KKK Comeuppance, Welcome to My Mortuary, Boys Do Get Bruised, Rogue Cop Revelation, Historias del barrio negro
Genuinely? One of my favorite anthology films and EASILY the best horror anthology I’ve seen. Hilarious that I JUST saw Dead of Night last night and this (I think) pays homage to that (scary puppet!) or at least follows the same format.
Amazed at how creative it goes about telling such heavy stories. At any given moment this is either funny, horrific, powerful, or incredibly unique. You truly can’t lose here.
A 1970's Amicus/E.C. portmanteau reconstituted in 1990's horrorcore, Tales From The Hood is conceptually and structurally unified to a much greater extent than most anthology horror films, finding real terrors within citizens murdered at the hands of police, domestic violence, white supremacist politicians, the prison system, gang warfare. Tales From The Hood is most notably a classical horror film, directly in keeping with its Dead Of Night/Tales From The Crypt/Creepshow lineage, without throwaway segments or overreliance on comedic relief. Pointedly, the wraparound is set in a funeral home, allowing for the stories of the dead to be retold. Tales From The Hood is agitprop horror, direct in its anger, finely crafted in its effects. One of the great works of 90's horror, my only regret is that there weren't more of these such that Clarence Williams III's Funeral Director could not have had another shot at becoming the masscult horror host/icon as so obviously and desperately required.
Producer & writer Darin Scott (From a Whisper to a Scream) utilizes the structure of Dead of Night (1945), the '60s television series The Twilight Zone and the Amicus horror anthology, and director & writer Rusty Cundieff adds the social commentary, combining these elements to create a powerful horror anthology that is just as relevant in 2017.
The monsters are human, the humans are evil. Racism is evil, cops are evil, politicians are evil, child abuse is evil and the only way to vanquish these monsters is through supernatural forces, reinforcing the helplessness a person can feel when oppression has been a way of life for far too long, with little relief, supernatural revenge becomes blurred with justice, reparations paid in blood.…
An all timer if you ask me, I love every segment and how there’s nothing subtle about this bold, loud, slice of 90’s Fire. Unlike many, 90’s horror is actually one of my favorite things... and Tales From the Hood is one of the decades Crown Jewels—delivering the goods (the shit!) in droves. Might be my favorite anthology and easily has my favorite cryptkeeper!
Modern classic.
I’m so glad Tales from the Hood received the collectors edition treatment from Scream Factory. If you haven’t scene this yet and you’re looking for an anthology to check out for spookyseason, watch this. Totally aware, totally awesome, still relevant 22 years later, and probably my favorite of the ‘cryptkeeper’ characters from any horror media.
The anthology horror equivalent of a Public Enemy record. It's LOUD, in your face, and not afraid to make you feel uncomfortable -- and rightfully so. I'm sure some people hate this because of just how un-subtle it is, but how else could you possibly tackle issues like child abuse and police brutality?
I always brushed this one off because of the goofy poster art, but now that I've finally seen it, I've fallen hard. In a decade where the genre was either self-reflexively ironic or stupidly comedic, Tales from the Hood and Candyman stand out because they actually have something to say. It's one of those rare anthology films where each of the segments feels essential -- none of…
This is now one of my favorite anthologies ever and a new Halloween favorite even though it doesn't take place around Halloween.
Sorry I have to do the opt-out, non specific thing by saying 'it's still relevant' but it's still relevant.
Harness the powers of the harvest to direct healing energies where they're needed this Halloween season!
(Just a general reminder mostly for myself but for anyone else badly needing a boost rn.)
"Death... it comes in many strange packages." -Mr. Simms,
Hooptober 5.0 (Film 7 of 33): boxd.it/23f1e
I saw this in the theater in 1995 and about a dozen times since, and it is a really good horror film and probably the best horror anthology film I've ever encountered.
Three gang-bangers visit a funeral home because the director of the mortuary wants to sell them drugs he claims to have found. While there the three men hear stories of three deceased persons and a special doll. What other secrets await? Clarence Williams III gives a hall of fame horror performance as the mysterious Mr. Simms. I think what makes this movie so good is that the stories all touch on important…
I’ve been dabbling back into CHAPELLE’S SHOW, and thinking about Rusty Cundieff. I hadn’t seen this since high school, and while it’s still a conventional horror anthology, it’s also still way ahead of the curve. Often mislabeled as a comedy, it’s essentially Carpenterian—socially audacious, angry, surprisingly brutal, and well-crafted.
Hooptober Fest 5.0
Film 19/46
Extra Credit
--
Influenced by the various film & television adaptations of the classic EC Comics series Tales from the Crypt, the Spike Lee-produced horror anthology film Tales from the Hood takes the vengeance-minded, darkly ironic morality tale tone of its inspiration and brings it to South Central L.A. where things get more extreme, more racially (and historically) minded, and much more stoney. And it's the shit.
Having already watched a couple Crypt anthology films this year, I had a blast with Tales from the Hood and the way it shook up the familiar format. From the opening setup where our host, a blunt-smoking wild-haired mortician by the name of Mr. Simms (Clarence Williams III, once…
"Oh don't worry you'll get the shit.... you'll be... knee DEEP in the shit"
- Mr. Simms.
Classic.
Four fun and quirky horror stories with a touch of comedy, if you haven't seen Tales from the Hood do so, if you haven't seen it recently do so. It's not especially scary or creepy it's just smart, in your face political commentary that revolves around race and in a world where people still think films like Green Book deserve awards we need as much of that as we can get.
My favorite story is "KKK Comeuppance" but they're all great.
Fantastic anthology, I'm pretty sure it's the first one I ever watch. Clarence Williams III turning into the devil was the closest I ever came to being scared shitless. The social commentary is out of this world. Watching these characters being continuously failed by systems that should be in place to protect them adds an extra layer of grief for me. I've been watching this movie for about 20 years and it's still a great watch every time.
A seriously great horror anthology, which is pretty rare since the subgenre is so difficult to get right. It does a good job at balancing humor and horror, and all four stories are captivating, though much darker in tone than similar films like Creepshow. The last story especially was some genuinely creepy ass shit.
The stories are varied, go for the throat, the effects are just right. Good shit.
Reminds me of when I used to read Bites: Scary Stories to Sink Your Teeth Into in fifth grade.
One of the best anthology series I've ever seen. It's rare that every story in an anthology is good. There's always bound to be some duds. Tales from the Hood has no lackluster parts. It's engaging and quickly paced throughout. It also has an incredibly charismatic host, in the form of Mr. Simms. Like any good horror host, he manages to terrify and entertain. I think the only one more terrifying is The Crypt Keeper himself.
"Cain was the world's first murderer. He slayed his brother. And how many brothers have you slain?"
Really creative and dark anthology horror film. This mixes a bunch of humor with dark and heavy ness throughout the film. Every story had something to say and they were captured good. This movie is flawed though, I’m not gonna ignore the flaws. Not that much of the flaws in this being it down but I don’t know. But you can’t not have a Funtime with this. Anyways this film is good and a great anthology horror film and of the best anthology horror films probably. And yeah that’s all I have to stay and this was really unique, creepy, dark and funny
“Yeah, like some refried beans 'n some shit. Man, I never understood that, man. Why the FUCK you gonna refry some beans, man? Why not just fry that shit right the first time?”
Rusty Cundieff’s Tales from the Hood is a brilliantly incendiary and incredibly entertaining funhouse of weighty and provocative horrors that I feel lacks a larger fanbase because of how damn similar the title is to a handful of other genre films. But I insist, this film is *essential* viewing for genre fans. One of the best horror films of the 90’s AND, with four equally great segments, a fun wraparound story and a flawless ending, I can safely call it my all-time favorite horror anthology too.
a imersão que esse filme me proporcionou puta q pariu bom demais teve muito gore muita reflexão muitos personagens fodões e filhos da puta, acabou sendo melhor do q eu esperava
p.s.: O CONTO DOS BONECOS EXPLODIU MINHA CABEÇAAAAA PRECISO VER UM FILME INTEIRO SÓ SOBRE ELE
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