mixed feelings about this one! LOVE the decision to plumb horror from the deadly frustration of not being believed — thing is, other movies have pulled it off with greater precision (Rosemary’s Baby, Unsane, even Take Shelter), and i think it’s because they’re more character focused.
cecilia is in every scene, but it still never feels like we truly know her as a person? that’s by no fault of My Favorite Scientologist elisabeth moss, who truly carries this thing — it’s majorly script-related. it is in fact possible for horror/thrillers to have well-written scripts! wish blumhouse knew this!
anyway, i wanna rewatch Gone Girl