Synopsis
Perversion at its wicked best!
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
2001 ‘La Pianiste’ Directed by Michael Haneke
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Isabelle Huppert Annie Girardot Benoît Magimel Susanne Lothar Udo Samel Anna Sigalevitch Cornelia Köndgen Thomas Weinhappel Georg Friedrich Philipp Heiss William Mang Rudolf Melichar Michael Schottenberg Gabriele Schuchter Dieter Berner Volker Waldegg Martina Resetarits Annemarie Schleinzer Karoline Zeisler Liliana Nelska Luz Leskowitz Viktor Teuflmayr Vivian Bartsch Florian Koban Thomas Auner Andreas Donat Gerti Drassl Klaus Händl Erika Kollmann-Till Show All…
La profesora de piano, Klaveriõpetaja, Pianolärarinnan, I daskala tou pianou, 피아니스트, La Pianista, Profesorka klavira, Pianisten, The Piano Player
Dear Michael Haneke,
This is fucked up. But, it's like this really cool and beautiful type of fucked up though. Is it okay for me to like this so much? It's not like I was entertained, I just loved it. But, at the same time I'm really scared. Is it possible you could follow me around for the next few days and just explain some shit to me? I'd greatly appreciate that. Life just seems to be a tad bit more confusing after this one.
Thanks,
Christian Childress
Jesus Christ. Holy shit. What the fuck.
Four minutes into this, I had already decided that I would give this film five stars. It's that good. The rest of it did not disappoint, but fucking hell. Goddamn it.
Piano music will never be the same.
My mum doesn't watch a lot of movies. We live in the middle of nowhere and the only cinema near us only shows bad comedies or action movies, genres we both don't like very much. After I was old enough to go to the theater on my own she didn't watch movies outside of our living room for almost a decade because going to Vienna just to watch a movie seemed like too much of an effort. But a few years ago a local film club started to show new arthouse films once a month and when there was a screening of Amour my mum finally agreed to come with me. She had liked The White Ribbon before but she…
i was watching this on my laptop on the couch while the hallmark christmas movie marathon was playing on the tv and that made for a very surreal ass experience to say the least
the next time someone asks me if i’m a feminist i’m just gonna tell them to watch this movie
why is michael haneke's signature move making me so uncomfortable that i have to keep checking how much is left in his movies
73
I thought I had seen this but it turns out I was thinking of Jane Campion's The Piano (also an excellent movie) like a dumb ass. It turns into a typical Michael Haneke movie relatively quickly, and the exploration of power dynamics as strictly designated zones of sexuality becoming more and more blurred is fascinating stuff. It's what is indistinguishable that is illuminated through Isabelle Huppert's performance, gliding between spaces as a constant of repressed kink and overt dominance. She makes the movie, as she usually does, and Haneke's direction isn't afraid to step back and embrace the performers, which is another reason for the film's success.
An intensely realistic portrait of sexual repression. Michael Haneke's The Piano Teacher is bleak and downright unsettling, yet still possesses an underlying beauty that makes it absolutely captivating. The writing and directing are impeccable, but it's Isabelle Huppert who truly makes this film with an utterly phenomenal performance that just exudes vulnerability.
dude i hade never seen any of this directors work so I genuinely thought before watching this it was gonna be a nice love story about a piano teacher falling in love. Yeah... kinda wished I never watched this, I was not prepared at all. I had to pause the movie so many times cause I just could not. It’s a lot and I was not ready for any of it.
Did Isabelle Huppert invent acting?
- I’m really sorry Elisabeth Moss, you’re my all time favorite girl and you know it -
Taking in the performance of Isabelle Huppert in this will take a life time to comprehend. This movie is hard by every definition of the word.
Desconcertante. Um exame intenso e pertubador sobre desejo, solidão, desespero e auto-negação e que se parece mais com um tour pelos arquivos esquecidos de Freud do que com uma obra de ficção. Hupert dá a Erika uma persona tão intrigante que você vai se encontrar olhando para ela hipnoticamente, tentando entedê-la e se perguntando se e quando ela irá surtar. Trabalho de mestre de Haneke, que em sua típica austeridade faz questão de nos impressionar com essa idéia de que arte nem sempre é algo bonito e que, com sua ousadia, nos mostra de uma maneira inteligente e instigante muito da repressão feminina. Brutalmente chocante e difícil de assistir.
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