Diese Stiefel sind sehr lästig. Aber sexy!

Dietrich #18 --- Was geschah wirklich mit Miss Jonas? is a meta-sequel to Der Teufel in Miss Jonas from the same year. What makes it unique in the sexploitation genre is the meta-aspect. I've never seen anything like it before. Basically, the movie is about the model Christa Free and how she became the star of the movie Der Teufel in Miss Jonas. There's even a sequence that takes place during the shooting of that film. Later Christa even goes to the cinema to see herself on screen. Dietrich himself (!) plays the sleazy producer who sleeps with actresses to give them a part in his movies. I can only assume he was…

Diese Stiefel sind sehr lästig. Aber sexy!

Dietrich #18 --- Was geschah wirklich mit Miss Jonas? is a meta-sequel to Der Teufel in Miss Jonas from the same year. What makes it unique in the sexploitation genre is the meta-aspect. I've never seen anything like it before. Basically, the movie is about the model Christa Free and how she became the star of the movie Der Teufel in Miss Jonas. There's even a sequence that takes place during the shooting of that film. Later Christa even goes to the cinema to see herself on screen. Dietrich himself (!) plays the sleazy producer who sleeps with actresses to give them a part in his movies. I can only assume he was…

This prequel to THE DEVIL IN MISS JONAS involves a private dick hired by a rich dude who loves a centerfold of Christa Free (star of the first film) enough to have her tracked down. Flashbacks help the detective to see how Christa went from a horny chick trying to get into pictures to a movie star. There’s “sexy” dancing, writhing for camera & many scenes handled in one long shot. Don’t worry, there are also a few bits of the first movie included, naturally. I didn’t find this as entertaining, but I also can’t quite determine if this is a spoof, a comedy or funny. Sexy, it ain’t, unless flaccid dongs & awkward groping get you going. The décor & fashion are…

Bande d'exploitation convenable d'Erwin C. Dietrich. On y suit un détective, chargé par un riche client de retrouver une femme, modèle qu'il a vue dans une revue de charme et qui l'obsède depuis. Il ne semble pourtant pas bien difficile de retrouver sa trace. Néanmoins, nous suivons l'enquête du détective en question, entre interviews du photographe de ladite revue, du gérant d'une boîte de nuit ou d'une équipe de cinéma. Tout cela étant bien sûr prétexte à scènes "sexy" déjà bien désuettes au moment où le film fut réalisé. Le goût de Dietrich pour le film à sketches se repère aisément dans cette succession de petites scènes reliées par un fil conducteur ténu.

Dietrich aime travailler en famille : on…