Synopsis
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment.
1987 Directed by Bill Plympton
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment.
More of a showpiece for what Plympton is capable of as an animator than any sort of coherent statement, but, like, he’s such a particular artist that an academic exercise in facial distortion becomes something both endlessly watchable and, in its own way, weirdly sweet.
This film is kino as shit, his faces have so many meanings AND OH MY GOD A MOUTH JUST OPENED UP ON THE FLOOR WHAT THE FUCK
A deconstructive self-portrait of physiognomic wonder. Plympton's most famous is also his funniest and most iconic. Want the most representative sample of Plympton's humor and imagination with anthropomorphism? This should suffice.
77/100
Fuck Tarkovsky, he never made a movie that has a man's nose eat his head whole. POSER!!!
Plympton really outdid this when he remade it as a Simpsons couch gag a couple of years ago. I don’t say this lightly, but I think it’s both my favorite Simpsons musical number and my favorite couch gag. I was on shrooms the first time I saw it, and it was one of the most beautiful moments of my life.
i've been in such a horrible mood for the past hour, and after watching this for 30 seconds i started laughing so so hard. i have no idea what i expected but i am fully LOSING my mind at this right now. masterpiece. cinema. completely unparalleled. 5 stars. why not. i'm feeling edgy
Gave another watch. I love this quite a lot and will give it a rating despite being 3 minutes
its fucking perfect
theres a reason this is one of the most iconic short films of all time.
inventive, surreal but unironically beautiful.
actual must see.
My first “Plymptoon.” Definitely a good first one. Only 3 or 4 minutes. Plympton is exploring the effect of cartoon physics and tropes on characters drawn with more realism than your average Sunday morning fare. It’s held together by the wonderfully bizarre song the man is singing, and achieves a zen weirdness that feels very 80’s to me, somehow. I feel like this could have played perfectly as an interstitial slotted somewhere during Monty Python’s the Meaning of Life, or like it could have been on TV in the background of a random shot from Blue Velvet. The starchy formalism of the drawing, the maximalist contortions of the face - the 80’s were about perfection, epitomized by the white man…
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