I am Roberto Benigni, not speaking their language but wanting so bad to fit in with Tom Waits and John Lurie.
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The Leopard 1963
I really like these big, slow burn epics when done correctly. The large set pieces pace the character development, rather than character development being shoehorned via emotional ‘moments’ in between the action.
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Le Cercle Rouge 1970
OOP Criterion going for $100+ so picked up the European 4K release. Just gorgeous. Maybe my favorite Melville. A color film but black, black, black.
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The Blue Angel 1930
The tension leading up to and then blowing up during the clown freak out scene is legitimately disturbing and quite wonderful.