ImTheTrashman’s review published on Letterboxd:
It's the most Tarantino-ey yet least Tarantino-ey film ever made.
It's slow, it's mad unfocused and a bit uneven tonally; but it's got shitloads of heart and I respect it for that.
Also, it was a real breath of fresh air to watch Sharon Tate in a fictionalised recounting of her life that didn't reek of some two-bit talentless shitfuck horror hack trying desperately to capitalise on the anniversary of her tragic murder.