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Lists
The Best Queer Films of 2020 12 films
From unlikely romances like "Kajillionaire" to nonfiction portraits like "Mucho Mucho Amor," 2020 was packed with quality LGBTQ stories.
The 10 Best Film Scores of 2020 10 films
In a year where almost everything felt like background noise, these film scores offered us a different kind of soundtrack…
The Best Undistributed Films of 2020 10 films
Movies were already facing a distribution crisis before the pandemic. With only a handful of deep-pocketed buyers dominating the festival…
The Best Movies of 2020 20 films
Even in the bizarre existential crisis of 2020, anyone who thinks this was a bad year for movies hasn't seen…
The 100 Best Films of the 2010s 100 films
Recent reviews
Review by Eric Kohn
Much of the world views the Israeli-Palestinian conflict as a fixed problem with no end in sight. Few can explain why, but “The Human Factor” finds those who can. With the white-knuckle intensity of a first-rate political thriller, Israeli filmmaker Dror Moreh’s engrossing documentary tracks glacial efforts to broker a peace deal over the past three decades. “The Human Factor” drills down on the fluctuating tensions between Yasser Arafat and Israel’s revolving door of leadership. By…
Review by Kate Erbland
A week after Jesús (Juan Jesús Varela) announces his immigration dreams to his mother Magdalena (Mercedes Hernández) — a simple plan, consisting of alighting to Arizona with his best friend Rigo (Armando García), getting a job, and not much else — the young Mexican teenager is gone. Months later, the boys have yet to announce their arrival in the United States, nor have they returned to the landlocked state of Guanajuato. They, like so many before…
Review by Kate Erbland
Leave it to Patty Jenkins to find a suitable and satisfying workaround in the form of “Wonder Woman 1984,” the rare superhero sequel that, for better (and sometimes, but rarely) worse, carves its own path and finds something joyous, wacky, and deeply enjoyable as a result. All that neon and all those parachute pants? Just a bonus, as Jenkins and Gadot take their heartfelt heroine back to 1984, finding bombastic new territory for Diana Prince to explore, blessedly outside the confines of her contemporary compatriots.
Review by Jude Dry
On the surface, “Funny Boy” has very little to do with the Barbra Streisand musical its title is riffing on. The story of a fey Sri Lankan Tamil boy growing up in 1970s Colombo is a far cry from Fanny Brice’s ascent from the Lower East Side to the heights of show business. The title comes from the Sri Lankan-Canadian novelist Shyam Selvadurai’s 1994 novel, which is read and taught widely in Sri Lanka today. Though…
Review by Eric Kohn</>
As an actor, George Clooney serves up self-deprecation and charm; as a filmmaker, the same impulses come across as bitter and ironic convictions. That’s certainly the case in “The Midnight Sky,” a gorgeous take on the apocalypse that doesn’t try to reinvent the formula because, well, you know how these things go. Clooney directs and stars in this ambitious adaptation of Lily Brooks-Dalton’s 2016 novel, and there’s much to appreciate about his by-the-book approach: Despite the…
Review by Jude Dry
It’s every teenage girl’s dream: The high school PTA has just announced they’d rather cancel prom than let you bring your girlfriend, when a gaggle of garishly dressed Broadway stars you’ve never heard of storms in singing, “We are gonna help that little lesbian…”
Although these colorful coastal elites cause quite a stir while managing to muddle everything up, they give you a mall shopping spree, a sequined shoulder to cry on — and some killer…
Review by Eric Kohn
Steve McQueen’s five-film “Small Axe” series was conceived to spotlight underrepresented stories of West Indian Londoners, from the thrill of a 1980 house party in “Lovers Rock” to the tumultuous civil rights battle of “Mangrove.” With “Alex Wheatle,” McQueen centers on a subject whose mission syncs with the project as a whole. In this hourlong origin story about the British Jamaican young adult novelist who found his calling after the 1981 Brixton riot, McQueen and co-writer Alastair Siddons have produced a concise, vivid window into the experiences of a young soul finding his place in a world stacked against him.
Review by Kate Erbland
After debuting at the Berlin International Film Festival (yes, really) and entering the 2013 box office marketplace against some stiff competition (“Frozen,” “Despicable Me 2,” “Monsters University”), Kirk DeMicco and Chris Sanders’ original animated comedy “The Croods” did something kind of crazy: it made over half a billion dollars. As the 11th highest-grossing film of that year, the animated family film was an unexpected smash that obviously demanded a sequel. Just weeks after its U.S. release,…