Jedd Jong’s review published on Letterboxd:
Blinded by the Light is based on journalist and documentarian Sarfraz Manzoor’s autobiography Greetings from Bury Park: Race, Religion and Rock N’ Roll. This film’s themes will be familiar to anyone who has watched a coming-of-age movie or two, but its specificity to the context of growing up in 1987 Luton gives it a meaningful point of view.
Movies like this can be insufferably rote or feel manufactured as they try to be inspirational. Blinded by the Light is sometimes cheesy and corny, but it is powered by the sheer force of its earnestness. This is a movie that whole-heartedly believes in the transporting power that resonant art can have, and that as overly dramatic as it might sound, art can change one’s life.
Every stage musical heroine and by extension, every Disney Princess, has an “I Want” song, in which they sing wistfully about their dreams and desires. One of cinema’s most beautiful, poignant scenes is of Luke Skywalker gazing out over the Tatooine Dune Sea as the twin suns set behind him in Star Wars, yearning to be part of something greater.
Blinded by the Light is a distillation of that energy, of the desire to be something more and find something better, a desire articulated by the songs of Bruce Springsteen. Through his music, Springsteen voiced his frustrations, a feeling of being trapped and needing to escape, a vital desperation and rebellion. “Born to Run” is the most obvious example of this, with “Born in the USA” being a song about the plight of Vietnam War veterans who had been forsaken by their country, dressed in the appearance of a typical patriotic song.
While there are similarities with Bend It Like Beckham in that both films are about a South Asian teenager in the UK who is inspired by a prolific celebrity to pursue their dreams while facing opposition from their family, Blinded by the Light is less broadly comedic. It feels like an evolution of Bend It Like Beckham, a little more nuanced and with more pain lying beneath its feel-good movie exterior.
Blinded by the Light is strongly acted and has a good tonal balance of comedy and drama, confronting heavy issues without ever becoming bleak. Its good-heartedness is its strongest asset and it overcomes the more conventional aspects of its coming-of-age narrative with a clear-eyed realness and irresistible sincerity.