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  • Harold and Maude

    Harold and Maude

    This one is conflicting. While I love the initial premise it doesn’t quite hit all the right notes with me. It seems to lose its purpose and direction in the midway mark. Who green-lit filling the space with a Cat Stevens song every five minutes? I don’t think I’ll be listening to him ever again. But I also can respect how special and unique of a film this is.

  • Remember the Night

    Remember the Night

    ★★½

    Barbara Stanwyck binge! They really had no chemistry in this. My first introduction into Mitchell Leisen’s filmography.

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  • Malcolm & Marie

    Malcolm & Marie

    ★½

    This so badly wants to be profound, its unbearable. The writing is also confirming my gradual falling out with Euphoria. Also this feels kind of racist? It has plenty of token names thrown around towards the beginning, but then never expanded upon? But the structure really bothered me, as heightened tension does not equate to me feeling for these characters if there is no fluctuating dilemma. Keeping something in a constant state is stale, it gets boring after thirty minutes. There…

  • Spring Breakers

    Spring Breakers

    ½

    I get what it's going for and the messages or whatever but I wish I could power bleach my eyes after seeing it. It makes fun of religion, is so damn messy, and honestly we don't need films like these. They are stupid-they're a pathetic exscuse for "creativity" and I hated it.