Afterthoughts: Some films just leave you feeling numb; slumped in your chair in a paralysed state of wide-eyed disconcertment. It’s safe to say, Kim Ki-duk’s Moebius is one of them!
In many respects, Moebius is comparable to Takashi Miike’s straight-to-video shockfest, Visitor Q (2001). Both films follow a deeply dysfunctional family down a dark path of degenerative behaviours and events, and neither of the provocateurs behind them offer their audiences a single breath of fresh air, nor a shred of…