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  • Like Someone in Love

    Like Someone in Love


    The late Chilean director Raul Ruiz’s indispensable book Poetics of Cinema argues against the necessity of “central conflict theory” that has long dominated commercial narrative filmmaking in the western world. If Abbas Kiarostami, one of the world’s greatest living directors, ever wrote a comparable book on film theory, one suspects he might similarly challenge the notion of the “three-act structure.” The Japanese-set Like Someone in Love may well be the Iranian master’s most provocative work; his extremely unconventional handling of…

  • Wild at Heart

    Wild at Heart


    True story: I convinced my mother to take me to see this at the Manor Theatre in Charlotte, NC in the fall of 1990 when I was just 15-years-old (I had to be accompanied by a parent because it was an R-rated movie). My mom, a fairly conservative, southern, Christian woman, had never seen a David Lynch movie before but she vaguely knew him as the creator of TWIN PEAKS, a new television show that my younger brother and I…