My Journey Through Experimental Cinema

  • 31/75: Asylum
  • X-TRACTS
  • Crayon Angel
  • Sweet Friday
  • Rastplatz
  • Palimpsest Palindrome
  • Atman
  • Passacaglia y Fuga
  • Labyrinth Tale
  • Baltazar
  • Ventana
  • Euridice BA 2037
  • 34/76: Tschibo
  • Desert
  • Tails
  • Glass Shadows
  • Chemical Wedding
  • Silver Traces
  • Gros Loup
  • Interview Without Sound
  • Double Labyrinthe
  • Father
  • Perfumed Nightmare
  • The Woman with Two Heads
  • The Domain of the Moment
  • Another Mirror
  • D'art moderne
  • 11 x 14
  • Eraserhead
  • Pause!
  • Valse Triste
  • The Trial
  • House
  • Wild Night in El Reno
  • I, an Actress
  • Enigma: Nazo
  • White Film
  • Nearsight
  • Visions of a City
  • Star Waars!
  • 37/78: Tree Again
  • Astragal
  • Offering
  • Thot-Fal'N
  • The Mongreloid
  • Sappho and Jerry (Parts I - III)
  • Burial Path
  • Liquid Crystals
  • New York Portrait, Chapter I
  • Grass Labyrinth
  • Ritual
  • Like A Passing Train 2
  • Heliography
  • Provincetown Pieces
  • Bopping the Great Wall of China Blue
  • White Hole
  • Boston Fire
  • Kristallnacht
  • The Reflecting Pool
  • Diversion
  • Splices for Sharits
  • The Fall of the House of Usher
  • Narrows Inlet
  • Sweet Love Remembered
  • Ki or Breathing
  • Junkopia
  • Spacy
  • New York Portrait, Chapter II
  • Connection
  • Intrigues (V)
  • Drawings on Africa
  • Intrigues (I)
  • Intrigues (VI)
  • The Garden of Earthly Delights
  • Masquerade
  • Unconscious London Strata
  • The Song of Stockholm
  • Sara
  • Xénogénèse
  • The Primal Scene
  • Blood-Letting
  • Murder Psalm
  • Stan & Jane Brakhage
  • A Dwarf in the Garden
  • Shuffle
  • Für Elise
  • Box
  • Shift
  • Relation
  • Ulysse
  • Film of Love
  • The Function of Film
  • Degrees of Limitation
  • Eye etc.
  • Bad Burns
  • Les tournesols
  • Through the Ruins
  • The Circular Scene
  • Thunder
  • Screw