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  • Come Here

    Come Here


    "That visualization of realities blending into each other helps illuminate the concealed thrust of Come Here, as does a protracted centerpiece scene where the actors imitate animals to the point of exhaustion. Both narratives, by clashing fluid identities — both performed and genuine — with quotidian realities, propose the forest as a realm of possibility and mystery, where performance can allow a person to move into a more primitive form of existence, which the actors try to recapture in some form back in the city."

    Reviewed the new Anocha for In Review Online.

  • A River Runs, Turns, Erases, Replaces

    A River Runs, Turns, Erases, Replaces


    "Zhu herself is from Wuhan, the Chinese city where coronavirus was first discovered, and where the entirety of River Runs was filmed, but any pretense towards exposé or journalistic explanation are quickly dispelled by the opening sequence, comprised of seven minutes of surveillance camera footage from February 8–April 4, 2020, showing the gradual progression from total lockdown to comparative bustle. This is as close as Zhu comes to showcasing a governmental response to the crisis, and indeed COVID-19 is never even mentioned by name in the film."

    Reviewed this beautiful documentary for In Review Online.

Popular reviews

  • Crazy Rich Asians

    Crazy Rich Asians


    "Crazy Rich Asians otherwise has no time or inclination to explore anything traditional in Asian culture unless it is explicitly related to the plot in a way intended to draw out the nigh-villainous qualities of the Youngs. The movie’s most fundamental and detrimental demerit is its frequent flattening of characters and centuries-old practices into one-dimensional stereotypes, conflating so many different attributes so as to create something muddled and more than a little offensive."

    Reviewed this repulsive, shallow film for The Film Stage. I got a little mad.

  • Batman v Superman: Dawn of Justice

    Batman v Superman: Dawn of Justice


    Batman v Superman is a brutal film, but not in its attitudes towards the narrative, the characters, or the viewer. Instead, it is astounding in the frank, unrestrained, yet almost impressionistic approach towards the subject matter and the weighty themes at hand. Snyder and his collaborators are unblinking in their depiction of the violence and lack of heroics that take place in a changed, darker world that in many, many ways reflects our own, but, incredibly, make them palatable in…