There are singular moments, plotted deftly in the opening act of Interstellar, that mean nothing at the time; merely a motion or an action that can be disregarded straight afterwards. But they’re not completely forgotten.
Chris Nolan throws us into a world with no context. It’s Kubrickian-esque: he presents us with a scenario and we just have to accept everything that is shown to us. It’s like a shadow. He conceals information - letting us ponder on its meaning, speculating its place…