In 35mm

Almost hard to get past the ending which somehow treats Troy's childhood being cut prematurely short by her mother's death (while the rest of her siblings, all boys, are free to still run and play) as a moving passing of the torch, her entry into womanhood at age 10. It's especially disappointing because, by co-writing with his siblings and giving the POV over to his sister Joie (who gets top screenwriting credit), Spike mostly side-steps his women problems…