pops baron’s review published on Letterboxd:
only the real ones came out to the true og nyc nobudge filmmaker movie instead of uncut gems—all hail sophia takal!! the best&most important full fledged genre flick of the year (while at the same time p much ignoring tension&jump scares, what defines the genre nowadays), the formalism on display here is insane: so many avant-garde glimpses! gahhhh go watch this in theaters !!!
the best xmas mubi after eyes wide shut & quai des orfèvres