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  • Kong: Skull Island

    Kong: Skull Island


    I love how mean this is. Men are squashed, impaled, and ripped apart with ease, and their heroic sacrifices ultimately mean nothing. Godzilla showed us how insignificant we really are in the face of godlike monsters, in Kong we never even stood a chance.

  • Godzilla



    Alexandre Desplat scores this like it’s the last thing he’ll ever compose. It complements the apocalyptic dread of the film perfectly. Also big monsters fight and stuff.

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  • Nobody



    Pure, unadulterated rage and sadistic glee. Inverts the John Wick character type into someone that relishes the opportunity to break bones and shoot heads. The look on Bob Odenkirk’s face when he finally gets to let loose is gold.

  • Cobra



    So charmingly 80s and full of little quirks that you can’t help but love it. A horror-esque score mixed with synth pop tunes, robot photo shoot montages, and a totally insane car chase where trucks seemingly explode after being shot just once. Particularly love the seedy slasher vibes of the first half.

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