Thomas Ringdal’s review published on Letterboxd:
Doesn't hold up as well as I'd hoped. Van Cleef and Russell are good, but Hayes and especially Stanton, surprisingly, don't hold up their end of the plot, making the element of peril almost non-existant. Snake Plissken is a hell of an invention, though.
That being said, upon this evidence I doubt I'll rewatch Espace from LA.