Burning ★★★½

South Korean filmmaker Lee Chang-dong works slowly: In over 20 years, he's directed just six films, each of which unfold patiently, sprawling out over two-plus hours and carefully tracking character development in narratives that occasionally proceed in real time. Lee tends to define his characters in relation to the specific temporal concepts that he structures his films around, such as the suicidal businessman from 2000's Peppermint Candy, whose story is told in a reverse chronology, or the sixtysomething woman with encroaching Alzheimer's disease in 2010's Poetry, whose memories of the past slowly slip away. But Burning feels like the director's most reflexive comment on the dramatic possibilities of his favored narrative form. ...


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