PRIME 💖’s review published on Letterboxd:
Period decadence, low-angle widescreen distortions, and the warped personalities to match.
The first time in a long while (probably 2015’s MAD MAX: FURY ROAD) that I haven’t found Nicholas Hoult insufferable.
Makes me want to go back and catch up on the last two Lanthimos films that I missed in the course of their theatrical run. Also, although I loathed ALPS, this film has me wondering: did I ever see all of DOGTOOTH? Need to investigate this.