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  • The Irishman

    The Irishman

    ★★★★★

    Not a single wasted frame of film. Somehow, watching this feels like coming home.

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  • Woman on the Run

    Woman on the Run

    Hell yeah!

  • When Tomorrow Comes

    When Tomorrow Comes

    What a sublime melodrama. Irene Dunne and Charles Boyer have such overwhelming chemistry, I got lost in it. It’s all so wonderfully devastating; the chance encounter, the interruptions that keep them apart, the destruction that brings them together. Sigh. Not only is there a well-executed, high stakes hurricane plot (made all the more impressive by the fact that the film was clearly made in a studio), but there’s also a union strike subplot! Thumbs up from me.

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  • The Silence of the Lambs

    The Silence of the Lambs

    ★★★★★

    A MOVIE SO GOOD IT PREMIERED IN FEBRUARY AND THEN WON BEST PICTURE, BEST ACTOR, BEST ACTRESS, BEST DIRECTOR, AND BEST ADAPTED SCREENPLAY AT THE OSCARS A WHOLE YEAR AND ONE MONTH LATER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

  • Rope

    Rope

    ★★★★

    This is so gay. I mean, this is SO gay. Maybe you think you know how gay this is. Maybe you thought, "Oh, this is a lil gay" or "Oh, I'm sensing some undertones of homo-eroticism." Except you were wrong because Rope is perhaps the gayest movie in the history of gay movies and I loved every single second of it.

    Oh yeah, good long takes, too.