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This has definitely grown on me with each viewing, and now it’s at the point where I think it’s as essential as all his best work thematically and aesthetically, even removed from Twin Peaks canon. The original series and Blue Velvet take on suburbia by showing the seedy underbelly of an idyllic town, but what the series taps into briefly that FWWM really develops is the idea that the underlying evil of suburbia is actually within the home, which is far more terrifying. Laura…
Second time around only affirmed the stuff I was unsure of and improved everything else. I still think calling the season a movie is pretty dumb unless you consider a lot of other shows movies too, but that’s something to take up with Cahiers du Cinéma, not the show.
Obviously there are a lot of questions left unanswered, but I think the biggest through line of the season is modernization, which seems given with this being a 25-year return, but…
I think I understand how the Matrix fans who hate Resurrections feel, which is ironic because both movies target The Last Jedi naysayers who cream when young CGI Luke Skywalker rolls up in The Mandalorian. A certain young CGI character from the first Scream rolls up here, and I can’t tell if the fact that it’s borderline-unwatchable is a comment on that phenomenon or what, but I’m afraid my allotment of generous readings has run dry. Resurrections had me excited…