A dizzying, provocative meditation on violence, religion and faith, Antonio Campos' The Devil All the Time is a powerhouse adaptation of the Donald Ray Pollock novel. It's a grim experience from start to finish, and the execution is undeniably messy at times, but Campos' method of storytelling allows the dark atmosphere to feel strangely infectious to the viewer. While many book adaptations fail at conveying the intended tone as a result of heavy-handed narration, the exposition in TDAtT never comes…
The director of this (who is a white woman) said back in February in this interview that "Although it's a critically important Chinese story and it's set in Chinese culture and history, there is another culture at play here, which is the culture of Disney".
that should tell you pretty much all you need to know. Disney, how fucking hard is it to just hire directors of color?