Favorite shorts. In chronological order. (not anymore).

Top Thirty:
The Sequence of Parallel Bars (Aryan Kaganof, 1992)
Lyrical Nitrate (Peter Delpeut, 1991)
Larisa (Elem Klimov, 1980)
Shepherds of Orgosolo (Vittorio De Seta, 1958)
Film (Alan Schneider, 1965)
The Ballad of Johnny Guitar (João César Monteiro, 1996)
Meshes of the Afternoon (Maya Deren & Alexander Hammid, 1943)
The Moon (Takashi Ito, 1994)
Phantom Limb (Jay Rosenblatt, 2005)
Possibly in Michigan (Cecelia Condit, 1983)
Dog’s Dialogue (Raúl Ruiz, 1977)
Quixote (Bruce Baillie, 1965)
Seasons of the Year (Artavazd Peleshian, 1975)
The Exquisite Corpus (Peter Tscherkassky, 2015)
Hi There, Cubans (Agnès Varda, 1963)
Fingered (Richard Kern, 1986)
Cold (Hieronim Neumann, 1984)
Secret Machine (Reynold Reynolds, 2009)
Human Being (Ibrahim Shaddad, 1994)
Devotion (Cynthia Madansky, 2003)
Skate Witches (Danny Plotnick, 1986)
The Inauguration of the Pleasure Dome (Kenneth Anger, 1954)
A Legend for Fountains (Joseph Cornell and Lawrence Jordan, 1957)
The Blues Accordin' to Lightnin' Hopkins (Les Blank, 1969)
Postcards (Mark Rappaport, 1990)
A Visual Diary (Shirley Clarke, 1980)
Corral (Colin Low, 1954)
Elegy (Zoltan Huszarik, 1965)
The Ravishing of Frank N. Stein (Georges Schwizgebel, 1982)
A Plate of Sardines (Omar Amiralay, 1997)