Alienated absurdity rolls over inexplicity
The very first venture to Roy Anderson's living trilogy, and, I must admit, it quite moved me to the core. Consists only 46 shots, presents a series of weird scenes depicting troublesome lives of a city country, enough to grab viewer's attention. Roy Anderson had a purpose, which is delineating the collapse of a capitalist society, the disappointing emptiness ruling over family, workplace, streets. Grotesquely obsessed of being human with each of their lives. The…
